This is a simple-minded movie more concerned with setting up cheap gags than actual character connection. Like in the scenario where Carrell befriends a womanizing Ryan Gosling at a bar.
Gosling assigns himself as Carrell's wingman, so, of course, there's a shopping mall montage where Carrell gets new hip clothes and a snazzier haircut, and before you know it he's a success with the ladies. This kind of sequence should've been retired the second the '80s ended.
Meanwhile, Carrell and Moore's 13-year old son (Jonah Bobo) has a crush on their babysitter (Analeigh Tipton) who he's over-texting, Moore is fending off the further advances of a sleazy co-worker who she had an affair with (Kevin Bacon, who's really getting around this year), and a seemingly unconnected Emma Stone is pining for Josh Groban as a dorky lawyer.
There are 2 twists that are revealed in this material - one which you can see coming if you are paying attention, and the other is of the "oh, come on!" variety. I won't spoil what they are, but I will say that one of them involves Marisa Tomei as a squirmy, and completely unconvincing woman that Carrell has a one-night stand with.
The cast defintely has plenty of comic chops (as in EASY A, Stone has a way with one-liners), and there are some juicy jokes here and there in CRAZY, STUPID, LOVE, but I cringed much more than I laughed. It contains a lot of talk about soul mates, but that's just audience pandering talk. I never believed it ever really cared about matters of the heart.
Steve Carrell and Tina Fey are 2 of the most likable and funny people currently on network television in their NBC sitcoms The Office and 30 Rock respectively. That reputation hasn't changed in their transition to the big screen even if some of their previous choices of projects have faltered a bit. Pairing them up as a bored, and purposely boring, married couple from New Jersey who find themselves caught up in a wild and violent night from Hell in manic Manhattan isn't the most inspired concept in the world, but on the strength of their comic charm alone it's still very likable and funny.
After learning that a couple of their friends are splitting up (Mark Ruffalo and Kristen Wiig in an all too brief appearance), Carrell decides to try to re-ignite the spark of their marriage by abandoning their routine date night plans and heading into the city for a meal at a posh upscale restaurant that they don't have reservations for. A dolled-up Fey is hesitant at first, but is soon game - same goes for when Carrell, not able to get a table, steals somebody else's reservations which, of course, leads to a case of mistaken identity with gunshots and frantic chases galore.
The MacGuffin here is a flashdrive, or "computer sticky thingie" as Fey calls it, that 2 thugs (Jimmi Simpson and Common) insist Carrell and Fey possess. Our not quite heroic duo elude their pursuers, find out that the thugs are cops on the take, and call upon one of Fey's real estate clients, a shirtless Mark Wahlberg, for help. It really doesn't matter where the plot goes from here - it's just an excuse for Carrell and Fey to run around and spout out one-liners, many of which are just funny enough to keep the enterprise rolling.
Cameos from James Franco and Mila Kunis as a trashy couple who amusingly share some of the same relationship issues as do our protagonists work better than they should, and Ray Liotta as an angry mobster (once again resurrecting Henry Hill from GOODFELLAS) also adds nicely to the mayhem, as contrived as it is. It's as predictable as its fabricated THE OUT OF TOWNERS meets AFTER HOURS formula would suggest, but if you like Carrell and Fey (I can't imagine somebody liking one and not liking the other) you'll most likely like this.
Though this blog is called “Film” Babble Blog I’ve written about TV shows from time to time because the worlds obviously overlap (Simpsons, SNL, X-Files, etc.). Since this season many folks will be giving and receiving multi-disc box sets of popular programs (most likely of one or more of those listed below), I thought it would be fun to sum up 10 series by repeated lines, both comical and ominous, and sometimes said by more than one character. Oh yeah - these are all from the last 10 years because you know, shows like Seinfeld (“Not that there's anything wrong with that!”), Friends (“We were on a break!”), back to ancient Happy Days (“Sit on it!”) reruns and other Nick At Night fare have been pretty covered already on the internets. So here goes:
1. “I’ve made a huge mistake” – Arrested Development(2003-2006) This is said by nearly every character in nearly every episode. The stated self realization coming usually in a moment of panicked frenzy defines the rampant disfunction on heavy display. There are a few other choice lines like: There are a few other choice lines like Maebe’s “Marry me”, Michael Bluth’s (Jason Bateman) disapproval of George Michael’s (Michael Cera) plain girlfriend Ann – “Her?”, and my personal pick - Gob’s (Will Arnett) mouthy cover-up of a failed magic trick: “Where did the lighter fluid come from?!!?”
2.“This is the business we’ve chosen.” – The Sopranos(1999-2007) Actually this is a quote from THE GODFATHER: PART II. It is repeated in a few variations (“the life we’ve chosen”) by Tony Soprano (James Gandofini) and numerous other mobster buddies and foes. They all worship Coppola’s gangster classics so the quote is both a reference and affirmation of the crew’s code. Honorable mention goes to “all due respect” which is an episode title *. I had originally thought of Tony’s (and others) angry “this is how you fuckin' repay me?” line but couldn’t find as many examples.
* Also a title of an episode of The Wire funnily enough.
3.“It’s a gift…and a curse.” - Monk(2002-present) In the “memorable quotes” section of the IMDb’s entry on this obsessive compulsive disorder detective show every quote is a repeated line including: “Here’s what happened”, “You’ll thank me later”, and “Unless I'm wrong, which, you know, I'm not...” All of which are pretty representative, don’t you think?
4.“You of all people should know that.” – Six Feet Under(2000-2005)This line usually spoken by Nate Fisher (Peter Krause) comes in handy when admonishing somebody’s misguided attitude even if it comes off as holier than thou itself. It can also be used as a grounding reminder as when guest star Mena Suvari tells Claire (Lauren Ambrose) “None of us may be here tomorrow. I mean, you of all people should know that.”
5. “And just like that…” – Sex In The City(1998-2004) As newspaper sex columnist (bet in todays ecomony that’s not a job that’s very secure) Carrie Bradshaw, Sarah Jessica Parker in voice-over often uses this short-cut to describe an abrupt change as in: “And just like that she was a woman again”. It’s even used in the movie released last summer (yes, I saw the damn movie!).
6. “Everybody lies.” – House M.D.(2004-present) Pretty much says it all for Dr. Gregory House’s (Hugh Laurie) world view and the show’s thematic thrust, huh? Like Monk there are a handful of repeated lines: “You need a lawyer”, “We’re missing something”, and the odd but handy prognosis: “It’s not Lupus.”
7.“Pretty good. Pret-ty pret-ty pret-ty good.” – Curb Your Enthusiasm(2000-present) Larry David is rarely doing “pret-ty good” in the farcical follies that make up his hilarious HBO hand-held camera comedy and when he is it’s as extremely short-lived experience but the line persists nevertheless. “Hey, let me ask you something” is also often said but itdoesn’t bring the voice of David to mind like the “pret-ty good” line. His long suffering wife Cheryl (Cheryl Hines) has her own repeated query: “Why would you do that?” That question seems to be asked every episode as well.
8.“So, this is how it ends.” – Dexter (2006-present) Since this show was just renewed for 2 more seasons the ending isn’t coming anytime soon for blood splatter analyst/serial killer Dexter Morgan (Michael C. Hall), but with the myriad of close calls and sticky situations he gets trapped in, it’s sure to make more appearances in his voice-over inner monologues. Possible Spoiler! - It was spoken out loud by one of his victims in season 1, Sgt. Doakes (Erik King) incidentally.
9. “That’s what *she* said!” – The Office(2005-present) Yeah, this joke has been around way before this American adaptation of the British work place sitcom made it Michael Scott’s (Steve Carrell) go-to tag-on comeback, but you’ve got to admit that now it is both owned by the show and it says everything you need to know about its delusional lead character.
10.“Ya happy now, bitch?” – The Wire(2002-present) I’m only just a recent convert to this gripping gritty cop drama but I’ve come to the understanding this line which was in the first episode of season 1 is Detective Bunk Moreland’s (Wendell Pierce) crusty catch phrase always said to partner James McNulty (Dominic West). Seems to show up on every message board as many fans’ favorite lines so I’m sure as I make my way through the DVDs I’ll soon see why.
Well, that’s that. A lot of shows don’t have definitive repeated lines – unless I missed it my favorite show of the last year, Mad Men, hasn’t had any catch phrases yet and may not as the show moves forward through the 60’s. Anyway, it’s the holidays and I got a Freaks And Geeks DVD boxset as well as more The Wire discs from Netflix a-callin’ me.
So as Krusty the Clown would say: “So have a Merry Christmas, a Happy Chanukah, a Krazy Kwanzaa, a Tip Top Tet, and a solemn, eventful Ramadan.”
It’s not a bad idea to resurrect the character of Maxwell Smart - the bumbling Agent 86 of CONTROL immortalized by the late Don Adams in the 60’s sitcom Get Smart - but it is remarkably uninspired to bring him back just to be the makeshift hero of yet another ginormous action movie formula. Created by Mel Brooks and Buck Henry (who are credited as consultants here) Get Smart was a James Bond satire pitting the CIA stand-in CONTROL against the faux KGB - KOAS. In the 4 decades since the 007 series debuted many movies and TV shows have mocked the immortal spy and the aging original has even taken shots at itself. But the act of satirizing or spoofing isn’t really on display here because for all of its use of the original character names, the updating of ridiculous accessories like the shoe phone and the cones of silence this is a standard comic adventure film with no points to make about the genre and precious few laughs to get us through the generic expensive CGI-ladened chase and fight scenes.
Steve Carrell stated explicitly that he would not be doing an impression of Don Adams, which is commendable but after seeing how little new he brings to that character maybe he should have. Without Adams' affectations classic lines like “Sorry about that Chief”, “missed it by that much”, and “would you believe...?” all fall flat. Carrell is basically just doing a slight variation on his Michael Scott from The Office so it’s hard to go along with him assuming this iconic role. Anne Hathaway, looking like she's in a magazine shoot in every shot, as the lady sidekick and love interest does little to erase memories of Barbara Feldon. Alan Arkin as The Chief and Terrence Stamp as the villain Siegfried fare better but expose how little wit is in the script. The less said about Dwayne Johnson as Agent 23 the better and James Caan as The President in what amounts to a cameo just lounges around looking bored. The by-the-numbers plot is one of the most uninteresting I’ve seen in a long time with a climax lifted straight from the 1978 Chevy Chase/Goldie Hawn caper FOUL PLAY and if you don't guess who in CONTROL is really an evil double agent within the first 10 minutes then you were more successful at turning your brain off when entering the theater than I was.
GET SMART feels less like a genuine movie than a polished product with its multiple Subway Sandwich tie-ins, slick designer sequences, and the end credits pop song placement of Madonna and Justin Timberlake’s “4 Miuntes To Save The World”. There are some snickers here and there and it moves fast so I’m sure many (especially kids) will enjoy it as a big dumb disposable summer movie but I believe many more will be unimpressed. I like Steve Carrell and I’m happy to live in a world where an ex-Daily Show correspondent can become an A-list movie star but I hope he can pick less overtly commercial vehicles than this or last years tepid EVAN ALMIGHTY in the future. Quite a few critics have pointed out that there was already a big screen Maxwell Smart movie in 1980 which I remember seeing in the theater as a kid - THE NUDE BOMB. It was also over-the-top and contained many similar scenes to the current incarnation - like the sky-diving bit for one. It also had Don Adams reprising his iconic role (he played Smart again in 1989 for a TV movie then in 1995 for a short-lived show on Fox - neither of which I’ve seen) and while it was no comedy classic it was at least as good or as memorable than this. And since THE NUDE BOMB flopped and stands with a 14% rating on the Rottentomatometer that’s saying a lot.
