COWBOYS AND ALIENS (Dir. Jon Favreau, 2011)When I first heard about the summer movie concept of f-'in James Bond and Indiana Jones (Daniel Craig and Harrison Ford respectively) fighting aliens in the Old West, I was all 'sign me up', especially since it was being helmed by IRON MAN's Jon Favreau. But less than halfway through this messy overly formulaic film, massive boredom set in.It started out promisingly with Craig waking up in the desert with a strange piece of artillery clasped to his wrist.Craig is a man who can't remember his name, obviously because of an alien abduction as we see in quick fleeting light-filled flashbacks, and we follow him as he can takes out a crew of wranglers on the trail, on his way to the protypical wild west town of Absolution.The town's sherrif (Keith Carradine) arrests Craig, along with the trouble-making gun toting brat Paul Dano the son of a ruthless cattleman (Ford) who acts like he owns the town, because he does.Ford demands that his son be let free, but before they can sort anything out the town is under alien invasion, with a bunch of figher jet type spaceships laying waste to property and literally lassoing away various townsfolk.007 and Dr. Jones, sorry Craig and Ford, form a posse to go after the aliens and get back their loved ones, and we get a long dull stretch full of old timey philophizing and poorly constructed character development.When we finally see the aliens, like in a close-up shot stolen from ALIEN, it's disapointing how generic they are. They're the same green scaley disgusting man-creatures with hidden orifices and tons of teeth. Minus the multiple legs they look like the Skitters from the new show Falling Skies or from hundreds of other alien attack scenarios from T.V. and movies.The profusely predictable plot concerns infiltrating the alien's headquarters, hidden in the picturesque terrain, which by the way is beautifully shot by Mathew Libatique (IRON MAN, BLACK SWAN), to save the abducted, with a ginormous battle climax in which cowboys join forces with Indians and outlaws to bring down the intruders from outer space.It's not Craig or Ford's fault - nor love interest Olivia Wilde's, or Samuel Rockwell as a sensitive saloon owner - it's the undercooked treatment given to overdone material. The special effects are fine but far from mind blowing (they make the claim that the aliens don't see well except when it's dark so we get a lot of murkiness), and when the alien's motivation for world domination is revealed it's in one or two flimsy throwaway lines.Craig's stoic beefiness matched with Ford doing his gruff old man routine to greater effect than his last few films, does make for some fanboy pleasing moments, but they aren't enough to make this anything more than a barely passable popcorn picture.More later...
IRON MAN 2 (Dir. Jon Favreau, 2010)
Summer sequel season has begun with the return of Robert Downey Jr. as Marvel Comics super hero Iron Man. But you not only know that, you've probably already seen it as it had the second-highest May opening of all time grossing $133 million over this last weekend. For my two cents I'll say upfront that IRON MAN 2 is a good time, not the great time that the original was because it's a bit messy. Highly stylized and funny with quite a few sheer thrills, but still a bit messy.
We catch up with Tony Stark, not long after revealing his identity as Iron Man, enjoying his reign as a global celebrity who claims to have "privatized world peace." He seemingly takes in stride that he's called before a Senate Committee for a hearing led by Garry Shandling as a disapproving Senator who wants Stark to turn over the Iron Man suit to the military. Our snarky hero is more concerned that the palladium in the arc reactor keeping his heart beating has begun to poison his body so he's trying to live it up since his days are numbered.
Meanwhile villainy toils in the shadows in the form of Mickey Rourke as a crusty Russian who has built his own arc reactor and a suit that has its arms outfitted with cybernetically controlled whips. Whiplash, as he's dubbed, blames Stark Industries for his father's death, and seeks revenge. He attacks Stark on a racetrack in Monaco, but Stark defeats him after some close calls when he's able to get to his snazzy Iron Man suitcase. Also meanwhile, and that's one problem with this film - too many "meanwhile's", Sam Rockwell as a conniving competing weapons manufacturer plots to take down Stark and sees an ally in Whiplash.
Gwyneth Paltrow returns as Stark's right hand lady Pepper Pots who Stark promotes to CEO. Terrence Howard doesn't return as Lt. Colonel James "Randy" Rhoades, for reasons that aren't quite clear he's been replaced by Don Cheadle. Scarlett Johansson joins the cast as Stark's new assistant who is revealed to be a double agent working with Nick Fury (Samuel L. Jackson), introduced in the post credits of the original, of S.H.E.I.L.D. which was co-founded by Stark's father (Mad Men's John Slattery) who appears in an old Stark Expo film that just happens to contain a secret message.
Whew! There's a bunch of other elements I'm not going to go into because, well, you get the picture - it's over stuffed with plot strands. This means a number of payoffs, such as Rourke's placing in the climax, are a bit compromised. By the way Rourke's mock Ruskie accent made me keep thinking he was going to say "I'm going to break you" like Dolph Lundren did in ROCKY IV. Johansson doesn't make much of an impression except in one scene where she kicks the ass of a squad of baddies that comes off like an audition for CHARLIE'S ANGELS 3D.
As for the others - Paltrow just hovers around, Cheadle is a bit more engaged yet ultimately just along for the ride, and Rockwell does a decent job but doesn't bring much new to the game. Director Favreau reprises his part as Stark's bodyguard giving himself more screen time which doesn't detract, but maybe should have been deleted scenes for the later DVD/Blu ray.
As we all know though, it's Downey Jr.'s stage and he makes the most of it. Glib wisecracks aside he has a great interrogation room scene with Rourke. Both actors bring it dramatically for one of the only breaks from the comic action spectacle, and it helps give the movie some needed grounding.
So the fresh feeling of the first one is gone and the plotting is a bit creaky as well and the exposition heavy, but there's enough fun to go around until the next time (stay through the credits to get a glimpse of what's coming). IRON MAN 2 is much better than just passable (as super hero sequels often are), and its heart (or arc reactor) is in the right place.
More later...
