(Dir. Niels Arden Oplev, 2009)
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The missing person is a young girl - the great niece of Henrik Vanger played by the contrite Sven-Bertil Taube, a wealthy businessman highly suspicious of the dark ties in his family to the Nazi party.
"Who do you suspect?" Nyqvist asks Taube on a walk through his island estate. "Nobody. And everybody. That's where you come into the picture." Taube replies in an appropriately hushed tone.
Meanwhile, the title's namesake - a punk attired woman in her early 20's, Noomi Rapace, has been hacking into Nyqvist's computer doing her own parallel investigation. She is able to break down a code in the missing girl's journal and she emails it to him. He tracks her down and before you know they are working together on the case - studying photographs, going through old records, and bit by bit piecing together the sordid murder puzzle that leads down more than one twisted path.
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Rapace has a mysterious unspoken past involving crimes and mental institutions that have obviously toughened her up - her revenge against a sexually abusive appointed guardian (Peter Andersson) shows us this in disturbing detail. The elaborate dragon tattoo on her back isn't really significant except as an identifier; indeed the film's international title is MILLENIUM: PART I - MEN WHO HATE WOMEN.
Though the serial killer procedural threatens to drag the film down a bit, it's tightly wound and crisply presented with gorgeous cinematography and a spare gently chilling soundtrack. Don't expect a Swedish SILENCE OF THE LAMBS (it has a much higher plausibility factor as thrillers go) and don't fret over subtitles - THE GIRL WITH THE DRAGON TATTOO is great gripping, albeit a bit violent, cinema that deserves your attention.
More later...