Saturday, February 16, 2008

It's That Time Again - Film Babble's Funtime Oscar Picks 2008!

The Academy Awards is one week away so I am finalizing my predictions. I admit that I'm no expert - I only had 13 out of 24 right last year but it is such a fun process for a film fan so I'm game. In Roger Ebert's 2008 predictions column he writes "as usual I will allow my heart to outsmart my brain in one or two races, which is my annual downfall". I hear you Roger! That's why I decided to say "screw it!" and go with my heart. I went against my heart last year and guessed wrongly that BABEL would win over my true favorite THE DEPARTED so I think I owe it.

1.BEST PICTURE: NO COUNTRY FOR OLD MEN – My brain agrees with my heart on this one. It seriously feels like The Coen Brothers time as evidenced by my pick for #2 as well but I have to remind myself that 10 years ago I really thought it was their time for FARGO and THE ENGLISH PATIENT won. Heavy sigh. Please JUNO - don't split the vote and cause an upset! Please - my heart couldn't take it.
2. BEST DIRECTOR: Joel Coen and Ethan Coen.

3.BEST ACTOR: Daniel Day Lewis - Again heart and brain are on the same page with just about everybody out there on this - he truly did perform the best acting of the year so it'll be shocking if he's not rewarded.

4. BEST ACTRESS: Julie Christie - Most are predicting this one for Christie. Her performance was wonderful and like Lewis she's won before (for DARLING - 1965) and it just seems right. The wild card would be Marion Cotillard in LA VIE EN ROSE but that's stuck at "very long wait" in my Netflix queue so I can't appraise yet.

5. BEST SUPPORTING ACTOR: Hal Holbrook - This is my wild card; my INTO THE WILD card! Sorry, couldn't resist that. Seriously though he was the best thing in that movie - he's 82 and he climbed up a mountain! Somebody else who thinks he deserves it is one of his competitors for the title - Javier Bardem. Read Bardem's touching comments on Holbrook's performance. My brain is doubting this pick but I'm still letting it stand.

6. BEST SUPPORTING ACTRESS : Cate Blanchett - Brain and Heart together again. Blanchett is amazing as '65-'66 era Bob Dylan - actually Jude Quinn - one of 6 different personifications of the said rock star singer in I'M NOT THERE if you haven't heard. I predict she will dedicate her Oscar to co-star Heath Ledger. Awarding her will honor him so to speak. Also since she was also nominated for Best Actress for ELIZABETH: THE GOLDEN AGE this stone kills that bird too. Hey, I'm just blogging out loud here!

And the rest:

7. ART DIRECTION: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET
8. CINEMATOGRAPHY: Roger Deakins for THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD. Deakins is also nominated for NO COUNTRY as well so I hope a DREAMGIRLS-like canceling out doesn't go down. I will be supremely bummed if Deakins' amazing work doesn't get the gold for either film.
9. COSTUME DESIGN: ATONEMENT
10. DOCUMENTARY FEATURE: NO END IN SIGHT - Because SiCKO would seem to be a shoe-in my brain is still pondering over whether the Academy will let Michael Moore back on their stage. I mean, remember last time? That's not the only reason I think Charles Ferguson's little seen Iraq war breakdown will win but it's good enough for now.
11. DOCUMENTARY SHORT: SARI’S MOTHER - Haven't seen but damnit it looks like a winner!
12. FILM EDITING: THE DIVING BELL AND THE BUTTERFLY - Heart again. I mean the editing was really the show on this one so I can't help but pick it.
13. MAKEUP: LA VIE EN ROSE - Can you believe NORBIT was nominated? Maybe it did have phenomenal makeup but still - NORBIT - an Oscar Nominated Motion Picture?! I may do the biggest spit-take in history if that Eddie Murphy mess upsets this category.
14. VISUAL EFFECTS: TRANSFORMERS - The definition of "no-brainer".
15. ORIGINAL SCORE: ATONEMENT
16. ORIGINAL SONG: “Falling Slowly” from ONCE - This has got to happen. People are crazy about that freakin' soundtrack and this song seems a sure bet.
17. ANIMATED SHORT: I MET THE WALRUS - Didn't see it but the trailer (that's right, a trailer for a short film) is pretty cool.
18. LIVE ACTION SHORT: AT NIGHT - Haven't seen either so I'm just going throwing a dart in the dark here I admit.
19. SOUND EDITING: THERE WILL BE BLOOD
20. SOUND MIXING: THE BOURNE ULTIMATUM - Didn't see it but it looked like this flick mixed it up soundwise. Yep, another dart.
21. ORIGINAL SCREENPLAY: JUNO by Diablo Cody. Consider this category to be re-named "snarkiest script".
22. ADAPTED SCREENPLAY: ATONEMENT by Christopher Hampton
23. ANIMATED FEATURE FILM: RATATOUILLE
24. FOREIGN LANGUAGE FILM:
THE COUNTERFEITERS (German title: Fälscher, Die) - I haven't seen it yet but I read good things about this Austrian war drama on the internets and the Academy seems to love World War II so it seems pretty sound.

Okay! I bet I do even worse than last year but I don't care. I'm just glad the writer's strike is over and the show is going on. It was one of the best years for movies so I bet whatever the flaws and surprises it'll be a blast.


More later...

Thursday, February 14, 2008

Caring After Artificial Nails

After artificial lengthening, the nails require a careful care. First, of course, you need to get used to manipulate ordinary things with them: fasten buttons, open machines' doors, click on the keys on the keyboard, etc. Avoid strikes - they can damage your fingernails, perform all the household work in rubber gloves. Also It is good to have in the purse the glue for nails - the generated for some reason crack can always be sticked up, saving the fingernail till correction.


The program of care for artificial nails:

* Use the basic coverage under the varnish;
* For nail painting better use professional varnish that does not contain acetone;
* Use upper lacquer coating on;
* Remove the varnish without liquid acetone, but with oil base solution;
* Use oil for nails and cuticle, combining with polishing (it makes more durable artificial surface to mechanical influences);
* Apply lotion and cream on the skin of hands;
* If wanted, artificial nails can be filled with a small-grinded (never iron!) file.

Wednesday, February 13, 2008

Step Aside Juno, Make Room For Marjane

While JUNO is getting all the acclaim - the nominations, the top ten list accolades, and the bank from repeat offender audience members - PERSEPOLIS, despite being nominated for Best Animated Feature and a plethora of good reviews is seemingly lost in the shuffle with few making the effort to go see it. I don't want that to happen - this film deserves to be seen by as many people as possible in its theatrical run. Let me tell you why in my review:

PERSEPOLIS
(Dir. Vincent Paronaud & Marjane Satrapi, 2007)

Retaining the look of the autobio-graphic novels on which it's based PERSEPOLIS is unique as both an animated film and as a coming of age period piece. The story is told by way of a muted colored (yeah, the whole thing isn't in gritty black and white) modern day flashback in which we meet Marjane (voiced by Gabrielle Lopes) - a bright outspoken preteen in Tehran in 1978. She is told by her loving father (Simon Abkarian) the history of her country in a swift but accurate storybook manner and she dreams of being a saving prophet of the Islamic revolution. Marjane's uncle (François Jerosme), a victim of the new regime, chooses her for his last single jail visit before his execution. This affects her deeply as she grows into a rebellious punk-loving teenager (from then on voiced by Chiara Mastroianni) who buys and lives by pirated tapes of American and British rock 'n roll. All along the way there is stern advice from her sternly cautious but wisely kind grandmother (Danielle Darreux) and the dangerous daily life of a city constantly in turmoil. Marjane becomes a young woman literally before our eyes in an amusing scene that I won't give away. We follow her to Vienna where as a student at the French Lycée she makes friends with cynical punky outsiders (complete with mohawks and leather jackets). We also witness a love affair relationship arc that takes a little wind out of our protagonist's sails (and sadly the movie's a bit) but Marjane gets her groove back with a little help from Survivor's "Eye Of The Tiger" from ROCKY III.

This film is only being distributed in America in its French language version with subtitles. While this may be considered the purist way to go - it is unfortunate because there is a English language version featuring the voices of Iggy Pop, Gena Rowlands, and Sean Penn. I would like both versions to get distribution, especially since it may affect attendance. I saw this with only six other people in the audience and that is really depressing when the inferior overrated JUNO packed houses and is still in the top five at the box office. Marjane, even as a simplistic cartoon model, is a much more affecting character than Ellen Page's unrealistic glib one-liner machine. If only mass America would realize that and go see it. With its pointed humour yet sober sense of history PERSEPOLIS is pretty damn near perfect.

More later...

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