Monday, September 12, 2005

A Writer Writes


Right after I decided to make this blog just me talking 'bout movies - I started to get submissions I couldn't deny. This great list comes from
Diana DeVeaugh-Geiss :

44 (Because I Like Palindromic Numbers?) Films On/About Writers and Writing
I compiled this list in no particular order and with the aid of "Leonard Maltin's Movie & Video Guide" and IMDb.com as references. It is by no means, of course, a comprehensive list...

1. IL POSTINO (Michael Radford, 1994) -- an Italian postman develops a love for poetry while delivering mail to the famous Chilean poet Pablo Naruda, starring Philippe Noiret.

2. QUILLS (Philip Kaufman, 2000) -- about the imprisonment to an insane asylum of the infamous 18th-century French writer The Marquis de Sade, played by Geoffrey Rush.

3. SYLVIA (Christine Jeffs, 2003) -- profile of poet Sylvia Plath, played by Gwyneth Paltrow, and her relationship with fellow poet Ted Hughes.

4. BARTON FINK (Joel Coen, 1991) -- black comedy about a self-important NY playwright, played by John Turturro, who goes to 1940s Hollywood to write a screenplay and discovers it's a living hell.

5. WONDER BOYS (Curtis Hanson, 2000) -- about the bond between a writer/professor and his gifted student, starring Michael Douglas and Tobey Maguire; adapted from the Michael Chabon novel.

6. HENRY FOOL (Hal Hartley, 1998) -- about the relationship between a garbageman and the free spirit who encourages him to begin writing poetry.

7. NAKED LUNCH (David Cronenberg, 1991) -- a graphic filming of the William S. Burroughs novel, weaving together elements of the author's life with fictional material.

8. MRS. PARKER AND THE VICIOUS CIRCLE (Alan Rudolph, 1994) -- profile of Dorothy Parker, fabled writer and member of the Algonquin Round Table in the 1920s, starring Jennifer Jason Leigh and Campbell Scott.

9. BELOVED INFIDEL (Henry King, 1959) -- about the romance of writer F. Scott Fitzgerald and Hollywood Columnist Sheilah Graham, starring Gregory Peck and Deborah Kerr.

10. DECONSTRUCTING HARRY (Woody Allen, 1997) -- a writer uses his life as fodder for work, much to the dismay of his family and friends, starring Woody Allen and a large ensemble cast.

11. THE BASKETBALL DIARIES (Scott Kalvert, 1995) -- profile of 1960s poet-musician Jim Carroll, played by Leonardo Dicaprio (notably, in a role originally intended for River Phoenix)

12. BIG BAD LOVE (Arliss Howard, 2001) -- tale of Vietnam vet/struggling writer Leon Barlow (played by director Howard); based on Mississippi author Larry Brown's stories.

13. BEFORE NIGHT FALLS (Julian Schnabel, 2000) -- story of Cuban poet and novelist Reinaldo Arenas (1943-1990), starring Javier Bardem.

14. BULLETS OVER BROADWAY (Woody Allen, 1994) -- story of a 1920s playwright who quickly "sells out" when he's offered a chance to direct his latest work on Broadway with a gangster's moll in the lead role; starring John Cusack, Dianne Wiest, Chazz Palminteri, and an ensemble of others.

15. CELESTE (Percy Adlon, 1981) -- from Celeste's memoirs about her relationship with prolific French writer Marcel Proust.

16. DEAD POETS SOCIETY (Peter Weir, 1989) -- about a charismatic English teacher at a New England prep school for boys who inspires his students to revive a secret, student poets society; starring Robin Williams.

17. TOTAL ECLIPSE (Agnieszka Holland,1995) -- about 19th century French poets Arthur Rimbaud and Paul Verlaine.

18. HENRY AND JUNE (Philip Jaufman, 1990) -- adaptation of the Anais Nin diaries, named for Henry and June Miller (Incidentally, controversy over this film caused the MPAA to implement what is today's NC-17 rating.)

19. WILDE (Brian Gilbert, 1998) -- profile of writer Oscar Wilde, starring Jude Law.

20. SHADOWLANDS (Richard Attenborough, 1993) -- tale of British writer C.S. Lewis, starring Anthony Hopkins and Debra Winger.

21. ADAPTATION (Spike Jonze, 2002) -- story of a lovelorn screenwriter who turns to his less talented twin brother for help when his efforts to adapt a non-fiction book go nowhere; inspired by a Susan Orlean novel; Nicolas Cage stars as both brothers.

22. MOULIN ROUGE! (Baz Luhrmann, 2001) -- tale of a penniless poet's love for a beautiful courtesan whom a jealous duke covets, starring Nicole Kidman and Ewan McGregor; nominated for numerous Academy Awards including Best Picture.

23. ALEX & EMMA (Rob Reiner, 2003) -- story of a writer who must turn out a novel in thirty days or face the wrath of loan sharks, starring Luke Wilson and Kate Hudson.

24. DREAMCHILD (Gavin Millar, 1985) -- the woman for whom Lewis Carroll invented "Alice in Wonderland" visits America for the writer's centenary.

25. NORA (Pat Murphy, 2000) -- set in 1904 Dublin, about Nora Barnacle and her relationship with prolific writer James Joyce.

26. BARFLY (Barbet Schroeder, 1987) -- based on the autobiographical writings of Charles Bukowski, starring Mickey Rourke and Faye Dunaway.

27. TOM & VIV (Brian Gilbert, 1994) -- about the relationship between poet T.S. Eliot and his wife Vivienne Haigh-Wood, starring Willem Dafoe and Miranda Richardson.

28. SHAKESPEARE IN LOVE (John Madden, 1998) -- speculation about the love affair that inspired the writing of "Romeo and Juliet"; nominated and awarded numerous Oscars and starring Ralph Fiennes and Gwyneth Paltrow.

29. THE WHOLE WIDE WORLD (Dan Ireland, 1996) -- profiles pulp novelist Robert E. Howard and his relationship with aspiring novelist/schoolteacher Novalyne Price, starring Vincent D'Onofrio and Renee Zellweger.

30. GOTHIC (Ken Russell, 1986) -- depicts the night in Italy in 1816 when Mary Shelley and Dr. Polidori became inspired to pen their classic goth novels "Frankenstein" and "The Vampyre", respectively; this was also explored in the earlier film The Bride of Frankenstein (James Whale, 1935), and later in Haunted Summer (Ivan Passer, 1988.)

31. ABSCENCE OF MALICE (Sydney Pollack, 1981) -- a reporter is duped into writing and running a story that discredits an innocent man, starring Paul Newman and Sally Field.

32. THE HOURS (Stephen Daldry, 2002) -- story of how Virginia Woolf's novel "Mrs. Dalloway" affected three generations of women, all of whom, in one way or another, had to deal with suicide in their lives; based on the novel by Michael Cunningham and starring Nicole Kidman, Julianne Moore, Meryl Streep, and Ed Harris; nominated for and awarded numerous Oscars.

33. THE ABSENT MINDED POET ( Herbert M. Dawley, 1923) -- a silent, animated short film about, well, an absent minded poet.

34. IN THE MOUTH OF MADNESS (John Carpenter, 1995) -- story of the search for a reclusive horror writer, derived from concepts created by H.P. Lovecraft and starring Sam Neill.

35. LA DOLCE VITA (Federico Fellini, 1960) -- story of a tabloid writer's crisis over the shallowness of his life's work in Rome, starring Marcello Mastroianni.

36. MISERY (Rob Reiner, 1990) -- story of a successful romance novelist who's nursed back to health following a car crash with a lunatic fan, starring Kathy Bates and James Caan; based on the Stephen King novel; later adapted for the stage in London.

37. THE PARALLAX VIEW
(Alan J. Pakula, 1974) -- story of a reporter who investigates the assasination of a senator, starring Warren Beatty.

38. MORVERN CALLAR (Lynne Ramsay, 2002) -- about a supermarket clerk who, following her boyfriend's suicide, passes off his unpublished novel as her own; starring Samantha Morton.

39. ROMAN HOLIDAY (William Wyler, 1953) -- about a princess who flees her palace in search of a "normal life" and has a romance with a writer/reporter, starring Audrey Hepburn and Gregory Peck (Incidentally, this was Audrey's first break, and for which she received an Oscar.)

40. THE SNOWS OF KILIMANJARO (Henry King, 1952) -- about a renowned writer critically injured on an African safari, starring Gregory Peck and based on the Ernest Hemingway story.

41. THE THIRD MAN (Carol Reed, 1949) -- Graham Greene's account of a pulp-writer's manhunt for Harry Lime (played by Orson Welles) in post-WWII Vienna.

42. ALMOST FAMOUS (Cameron Crowe, 2000) -- tale of a 15-year-old boy given the chance to write a story for "Rolling Stone Magazine" about an up-and-coming rock band as he accompanies them for their concert tour.

43. IT HAPPENED ONE NIGHT (Frank Capra, 1934) -- about a writer/reporter and runaway heiress, played by Clark Gable and Claudette Colbert, who fall in love on a bus trip; based on Samuel Hopkins Adams' story "Night Bus".

More later...


44. THE PLAYER (Robert Altman, 1992) -- black comedy about a paranoid movie exec who begins receiving threats from a disgruntled screenwriter, starring Tim Robbins; notably, slathered with inside Hollywood jokes and references.

Tuesday, September 6, 2005

Tragedy + Time = Comedy


"Comedy is tragedy plus time…The night Lincoln was shot, you couldn’t joke about it, you just couldn’t do it…but now time has gone by, and it’s fair game." - Lester (Alan Alda) CRIMES AND MISDEMEANORS (written by Woody Allen)

When purposely obnoxious comic Gilbert Gottfried attempted a few airplane jokes at a Hugh Hefner roast less than a month after September 11th 2001 an audience member yelled "too soon!" Obviously this guy was familliar with the theory Alan Alda's arrogant buffoon character pontificated above. Gottfried decided it was time to switch gears and tell a joke rarely told in public. A joke that was legendary among comedians for its possibilities for improv. Dirty, disgusting, vulgar, and sometimes just plain wrong improv but also sometimes brilliant, clever, and plain hilarious improv too. This is the basis for the film THE ARISTOCRATS that opened last week at the theater I work at.


I saw it on Sunday night and enjoyed many of the performers - Steven Wright's typically deadpan take on the joke, Andy Richter telling it as if it were a bedtime story to his infant son, Andy Dick throwing "Hitler dressed in crotch-less panties" into the mix, and it was great to see that the staff of the Onion are artsy pudgy dorks like the rest of us.

I'm not gonna waste blog space trying to relate the joke - you can easily click on the IMDB link above - or go into length about the many many comedians in it I'll just say that this is a flawed and questionably cut movie that is not for the squeamish but it does contain a lot of laughs. I'm pretty desensitized to the desciptions of strange sexual behaviour and scatalogical acts but I've seen a few people walk out - one couple at the 7:00 screening tonight walked out after 15 minutes calling it sick and wanting their money out - so be warned.

Well If the history + time = comedy theory
* is really accurate, how long until the first Hurricane Katrina joke? I'm going now to check out the Onion and find out. Something tells me its not too soon for them...

*
the line has also been attributed to Carol Burnett.

More later...

Sunday, August 28, 2005

A Medium Blizzard In A Moral Universe


Well I haven't seen any new movies in the last few days. I've rewatched a few flicks between writing and other life crap : ABOUT SCHMIDT - 'cause a friend had never seen it and ROMEO IS BLEEDING 'cause it seemed to fit my mood late in the weekend.

I was reminded that Scott Tobias really nailed SCHMIDT in his Onion A.V. Club review:

"In one of the many simultaneously funny and heartbreaking scenes in Alexander Payne's wonderful About Schmidt, recently retired Omaha insurance salesman Jack Nicholson steals away to a local Dairy Queen and orders a medium Blizzard. That he has to sneak off from his wife (June Squibb) to do it is telling enough; that he treats himself to a medium instead of a large speaks volumes about his character's diminished sense of self-worth."

Medium Blizzard seems to really sum it up. So much so that Tobias brought it up again in his reviews of Payne's Schmidt follow-up SIDEWAYS:

"Payne (Election) defines his universe through these sorts of wry behavioral observations; in his last film, About Schmidt, Jack Nicholson's order at an Omaha Dairy Queen says more about him than reams of dialogue would have accomplished."

Yep, that medium Blizzard really made an impact on Tobias. As well it should - the most effective devices in character presentation are the tiny seemingly meaningless day-to-day decisons and off the cuff behaviour that speaks volumes as Tobias says. 'Life is in the details' one expression goes. I however prefer the quote - 'the Devil is in the details'.

I'm still making my way through the 4th season of SIX FEET UNDER which is a good example of the little-things-say-so-much deal I was just babblin' 'bout. One particular intense episode involving Fisher Funeral-home family member David being abducted by a crackhead con man - "That's My Dog" which originally aired last summer struck me as both outrageously manipulative and wickedly brilliant. I know it can be seen as an extremely geeky process but I watched it a second time with the commentary track by director Alan Poul and I'm glad I did. He addressed viewer's negative reactions, told me things that were intended as fantasy but I wrongly interpreted as reality, and pointed out an excellent article written by Emily Nussbaum in New York Magazine that anyone with even a passing interest in the show should check out :

http://newyorkmetro.com/nymetro/arts/tv/reviews/9579/


At one point during his insightful and economically worded commentary Poul also touchingly said :

"You put stuff out there in order to get a reaction from the world with the best of intentions and what you get back is often not what you expect or deserve or even consider to be an answer. There is such a thing as a cry that goes unheard but all that added up does not mean we're not living in a moral universe."

That immediately brought to mind this Woody Allen quote -

"An artist creates his own moral universe" -
Sheldon Fender (Rob Reiner) BULLETS OVER BROADWAY 1994

Definitely heady stuff, though on the other hand - in it's glib quick wham-bam style an episode of FAMILY GUY that aired earlier tonight had a jab at SIX FEET UNDER :

"You know, I'm 3 weeks old, my world view spans no further than the walls of this dog's intestines and I still find Six Feet Under pretentious." - an intestinal worm

Take that Alan Ball! From an astute New York Magazine appraisal to some TV criticism voiced by a cartoon worm everyone seems to have their say.

Anyway I need to go and get a medium Blizzard. Actually maybe just a small one. Depends on if I can steal away I guess.

More later...

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