Showing posts with label Tim Allen. Show all posts
Showing posts with label Tim Allen. Show all posts

Friday, June 18, 2010

As Predicted Pixar Saves The Sucky Summer Day

TOY STORY 3
(Dir. Lee Unkrich. 2010)


Like many film folks, in the days before a long awaited sequel in a beloved franchise appears I like to revisit the earlier movies - especially if I haven't seen them in a long time. It's to remind me of the flavor of said films, yet it can also feel like doing homework sometimes. Re-watching the first TOY STORY (1995) and its follow-up TOY STORY 2 (1999) though, wasn't like doing homework at all. The films hold up as immensely enjoyable endlessly inventive masterworks.

The TOY STORY films established Pixar Studios as the leading creators of CGI-animated features that built a beautiful track record of critically acclaimed hits including some of the best films of the last decade - FINDING NEMO, UP, WALL-E, and RATATOUILLE to name a handful. It's easy to be cynical about sequels, but Pixar is a name to be trusted, and you won't go wrong trusting them here. The return of Sheriff Woody (Tom Hanks), Space Ranger Buzz Lightyear (Tim Allen), and their fellow toy friends is happily up to the high standards of their canon and even more happily its one of the few cinematic saviors of this summer of suck.

It's been over a decade since we've last seen the disparate troop of talking toys and we catch up with them as their now teenage owner Andy (voiced by John Morris) is packing for college. The toys fret over their fate - will they be stored in the attic, sold in a yard sale, or thrown away? To their surprise, Andy picks Woody to take with him to school and puts the others in a garbage bag. Luckily he's just taking them to the attic, but in a moving mix-up they are taken to the curb by Andy's mother (voiced by Laurie Metcalf).

Woody tries to save them, but nearly gets thrown away himself. After freeing themselves from the garbage bag, the toy troop (including the returning voices of John Ratzenburger, Don Rickles, Joan Cusack, Estelle Harris, and Wallace Shawn) realize that their life with Andy is over and that they should collectively climb into a box set to be donated to Sunnyside Daycare. Woody wants them to return home, but his friends immediately take to the lushly lit facility and the warm friendly welcome by the leader of the left behind toys: a pink strawberry teddy bear named "Lotso" - short for Lots-o'-Huggin' Bear (wonderfully voiced by Ned Beatty).

While Woody tries to get back home, the toys find that things aren't what they seem at Sunnyside. I'll hold off on further major story Spoilers!, but I'll just report that there's a romantic subplot sponsored by Mattel in which Barbie (Jodie Benson) meets Ken (Michael Keaton), Buzz Lightyear gets his settings stuck in a Spanish mode, and there's a young girl (Emily Hahn) who Woody is briefly in the custody of that owns a few other new toy characters (voices of Timothy Dalton, Beatrice Miller, Javier Fernandez Pena, and Bud Luckey).

A superlative sequel in which all of the elements of the wealth of close scrapes, captivating chases, and absorbing attention to the exorbitant detail of the TOY STORY world are attended to excellently. It's funny, exciting, and sometimes even scary, yet it will most likely be remembered for its strong emotional pull.
The previous films were well rooted in sentimentality about the innocence and imagination of childhood balanced by the sad acknowledgment that these joys are fleeting, and play-time has to end someday. TOY STORY 3 doesn't shy away from these themes; it enriches them further making it the most thoughtful and touching film of the series.

Pixar (and Disney) did it again. They made a wonderful movie that will take everyone from children to grown adults on a ride from doubling over with laughter to being reduced to tears. They also made so a 40 year old man can admit that, without shame, he can get worked up about a cast of animated plastic playthings accessing their worth. See? It felt good admitting that. Really good.

More later...

Tuesday, September 18, 2007

WILD HOGS #1 - America Has Spoken

"This whole country's just like my flock of sheep!"
- Lonesome Rhodes (Andy Griffith) A FACE IN THE CROWD
(Dir. Elia Kazan, 1957)


WILD HOGS (Dir. Walt Becker, 2007) In the last few years there has been much op-ed piece and pundit speak about whether movie critics really matter any more. If we judge solely by the case of WILD HOGS the answer is a deafening “Hell NO!” This film, which was critically panned by practically everyone (it has a 15% approval rating = rotten on the Tomatometer), was the #1 movie for several weeks when it opened earlier this year even staying in the top ten 13 weeks after its release! It was the #1 DVD in sales upon release and rentals (now it's #3) and the #1 download right now online according to iTunes. It’s like it’s giving the finger to every movie critic ever! So yeah, I had to see for myself – I couldn’t take anybody’s word for it. I put it in my Netflix queue and naturally it came up “Very Long Wait” which made me feel even more ashamed to giving in to what I knew was going to be an atrocious experience.

And boy was it! Another depressed yuppies take to the road in an attempt to re-boot their stale lives – see CITY SLICKERS get their GROOVE BACK by way of EASY RIDER and LOST IN AMERICA. Tim Allen, John Travolta, Martin Lawrence, and the really slumming it William H. Macy are the motorcycle crew here – they face off with real bikers led by Ray Liotta while Macy falls for Marissa Tomei. That’s about all of what happens here unless you want to count the endless stopping to go to the bathroom jokes and all the homophobic humor especially embodied in a gay cop (Scrubs’ John C. McGinley) who may be the most offensive character in a movie comedy in a long time. I didn’t think one second of this film was funny – I didn’t even smile at the Peter Fonda cameo (especially as it is such a contrived walk-on). With its base, broad and just plain boring kind of comedy WILD HOGS is the movie equivalent of pig slop but I know, my opinion doesn’t matter - as Stephen Colbert says "the market has spoken".

Post Note : There has been much speculation that a significant percentage of the gross of WILD HOGS was from teenagers who bought tickets to it and then attended 300 but that doesn't explain the DVD and download numbers. Maybe it's a Red States thing.

More later...
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