Tuesday, June 29, 2010
Alisa - Le Marais - Paris
Alisa
"I am a student in Fashion Management.
For me Fashion is not very important.
Today, my look is minimalist Rock.
I love plenty of things. I hate snobism.
I wear a Top by COS
Shoes by ANN DE MEULEMEESTER
Pants by JEROME R
Bag by YSL
Sunnies by GIVENCHY
Perfume by MARGIELA
Marcela - Place Vendôme - Paris
I work as Stage Designer in Paris Opera
"For me Fashion reflects the mood of the day
My look is a working day look
If I had 1000€ I would buy a RICK OWENS Jacket
and MC QUEEN Shoes ...
I love smile. I don't like not kind people...
My message to the world:
Try to be the one you would like to meet".
Outfit by KRISTOFER KONGSHAUG
Shoes by URBAN OUTFITTERS
Sunnies by RAY BAN
Perfume= "Angel" by T.MUGLER
Clémence - Place Vendôme - Paris
Clémence
"I am just graduated of a Fashion School.
For me Fashion is a way of Life. My look
is Rock-Chic. I love to be always on the
movement. I hate to be bored. My message
to the world: Stay cool. Be Fashion !"
I wear a jacket by LEVI'S
Leather shorts by ABERCROMBIE FITCH
Shoes by SURFACE TO AIR
Bag by BALENCIAGA
Perfume "Flower Bomb" by VIKTOR&ROLF
Tatiana - Place Vendôme - Paris
Tatiana
"I am a Fashion student at Studio Berçot
For me Fashion is game. My look is sober.
I love to laugh and to have fun.I hate people
that don't give you a break. If I had 1 000€
to spend in Fashion Stuff, I would buy the last
Alexander Wang Bag with cloves. My message
to the world: Live your life to the max !"
I wear vintage Skirt top-shirt and jacket.
Shoes by Zara
Headband selfmade
Bag by AA
Perfume "Alien" by T.MUGLER
Black Fashion Models 2009
The current issue of Italian Vogue looks at how the fashion industry has moved past the rail thin negative size models to the lack of black models in the industry.
In a move that is causing the industry to take a deep look at itself the July issue of Italian Vogue features only black models shot by fashion photographer Steven Meisel. Mr. Meisel is also the photographer behind Madonna’s infamous 1992 book, “Sex”.
black fashion models
black fashion models
black fashion models
black fashion models
black fashion models
In a move that is causing the industry to take a deep look at itself the July issue of Italian Vogue features only black models shot by fashion photographer Steven Meisel. Mr. Meisel is also the photographer behind Madonna’s infamous 1992 book, “Sex”.
black fashion models
black fashion models
black fashion models
black fashion models
black fashion models
Black Fashion Models 2009
The current issue of Italian Vogue looks at how the fashion industry has moved past the rail thin negative size models to the lack of black models in the industry.
In a move that is causing the industry to take a deep look at itself the July issue of Italian Vogue features only black models shot by fashion photographer Steven Meisel. Mr. Meisel is also the photographer behind Madonna’s infamous 1992 book, “Sex”.
black fashion models
black fashion models
black fashion models
black fashion models
black fashion models
In a move that is causing the industry to take a deep look at itself the July issue of Italian Vogue features only black models shot by fashion photographer Steven Meisel. Mr. Meisel is also the photographer behind Madonna’s infamous 1992 book, “Sex”.
black fashion models
black fashion models
black fashion models
black fashion models
black fashion models
Black Fashion Models 2009
The current issue of Italian Vogue looks at how the fashion industry has moved past the rail thin negative size models to the lack of black models in the industry.
In a move that is causing the industry to take a deep look at itself the July issue of Italian Vogue features only black models shot by fashion photographer Steven Meisel. Mr. Meisel is also the photographer behind Madonna’s infamous 1992 book, “Sex”.
black fashion models
black fashion models
black fashion models
black fashion models
black fashion models
In a move that is causing the industry to take a deep look at itself the July issue of Italian Vogue features only black models shot by fashion photographer Steven Meisel. Mr. Meisel is also the photographer behind Madonna’s infamous 1992 book, “Sex”.
black fashion models
black fashion models
black fashion models
black fashion models
black fashion models
Black Fashion Models 2009
The current issue of Italian Vogue looks at how the fashion industry has moved past the rail thin negative size models to the lack of black models in the industry.
In a move that is causing the industry to take a deep look at itself the July issue of Italian Vogue features only black models shot by fashion photographer Steven Meisel. Mr. Meisel is also the photographer behind Madonna’s infamous 1992 book, “Sex”.
black fashion models
black fashion models
black fashion models
black fashion models
black fashion models
In a move that is causing the industry to take a deep look at itself the July issue of Italian Vogue features only black models shot by fashion photographer Steven Meisel. Mr. Meisel is also the photographer behind Madonna’s infamous 1992 book, “Sex”.
black fashion models
black fashion models
black fashion models
black fashion models
black fashion models
Fashion Models 2009
Tao Okamoto. Tao Okamoto, Japanese (1987), mysterious, elegant. She had long hair, now it is short. Very professional, very perfectionist.
models interested in being featured, interviewed or photographed can inquire via e-mail: models (at) asianglam.com - of course replace (at) with @
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models
models interested in being featured, interviewed or photographed can inquire via e-mail: models (at) asianglam.com - of course replace (at) with @
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models 2009
Tao Okamoto. Tao Okamoto, Japanese (1987), mysterious, elegant. She had long hair, now it is short. Very professional, very perfectionist.
models interested in being featured, interviewed or photographed can inquire via e-mail: models (at) asianglam.com - of course replace (at) with @
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models
models interested in being featured, interviewed or photographed can inquire via e-mail: models (at) asianglam.com - of course replace (at) with @
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models 2009
Tao Okamoto. Tao Okamoto, Japanese (1987), mysterious, elegant. She had long hair, now it is short. Very professional, very perfectionist.
models interested in being featured, interviewed or photographed can inquire via e-mail: models (at) asianglam.com - of course replace (at) with @
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models
models interested in being featured, interviewed or photographed can inquire via e-mail: models (at) asianglam.com - of course replace (at) with @
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models 2009
Tao Okamoto. Tao Okamoto, Japanese (1987), mysterious, elegant. She had long hair, now it is short. Very professional, very perfectionist.
models interested in being featured, interviewed or photographed can inquire via e-mail: models (at) asianglam.com - of course replace (at) with @
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models
models interested in being featured, interviewed or photographed can inquire via e-mail: models (at) asianglam.com - of course replace (at) with @
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Fashion Models
Monday, June 28, 2010
MICMACS: The Film Babble Blog Review
MICMACS
(Dir. Jean-Pierre Jeunet, 2009)
It's been way too long since French twisted fantasy-centric film maker Jean-Pierre Jeunet (DELICATESSEN, THE CITY OF LOST CHILDREN, AMELIE) has graced the screen with his uber colorful thrusting imagery. His stunning style is instantly recognizable in the first few frames of MICMACS, his first film since A VERY LONG ENGAGEMENT (2004).
In the swift motions of a great storyteller we see a soldier being killed in the desert by a landmine, his devastated wife institutionalized, and son (Noé Boon) sent off to Catholic School before growing up to be a video store clerk (Dany Boon) who can lip-synch every line of THE BIG SLEEP (the dubbed into French version BTW). One night a stray bullet from a drive-by shootout ends up embedded in his skull.
After Boon gets out of the hospital he finds that he has lost his job and apartment so he has to turns to street performance for the pittance of passerby's. Luckily he's a skilled Chaplin-esque showman so he's about to float through a few months until he meets Jean-Pierre Marielle as an ex con vendor. Marielle introduces Boon to his "family" - a rag tag ensemble of scrap heap dwellers who all make magic out of scrap metal. The trash troop includes Jeunet regular Dominique Pinon who claims to hold the world record as a human cannonball, Julie Ferrier as a contortionist (and love interest for Boon) who can make room in the fridge for, well, herself, Yolande Moreau as the slightly dizzy den mother, and Omar Sy as a crafty ethnographer as well as an accomplished mimic.
Boon has found a home and shortly after happens upon the opulent headquarters of the arms dealers responsible for the death of his father and the bullet in his head. His impossibly elaborate revenge schemes are enacted by his new cohorts in trickery. André Dussolier and Nicolas Marie as the offending snooty villains of the piece are besotted and baffled at every turn with a smorgasbord of well timed and often hilarious obstacles aimed at the butt of their weapons manufacturing empires.
MICMACS is a bit overdone and cutesy at times but has so many ideas and so much going on in nearly every shot that one can let that slide. So much so that I can also let slide the cringe-worthy anti-war bent to the climax. Its ginormous sense of wonder is overwhelming - it's easily the most visually pleasing live action film this year. Jeunet's whimsical approach which was so exhilarating in AMELIE and his work with Marc Caro, is at once both modern and classical. The film is wrapped in the traditional packaging of many TCM staples (the opening elegant credits after the cold opening, the silent film steals, the playful piano plinking, etc.) yet the film utilizes CGI and gives us Jeunet embracing the age of YouTube.
I'd highly recommend seeing MICMACS on the big screen if you can. You really need a large canvas for such a pulsating painting like this.
More later...
(Dir. Jean-Pierre Jeunet, 2009)
It's been way too long since French twisted fantasy-centric film maker Jean-Pierre Jeunet (DELICATESSEN, THE CITY OF LOST CHILDREN, AMELIE) has graced the screen with his uber colorful thrusting imagery. His stunning style is instantly recognizable in the first few frames of MICMACS, his first film since A VERY LONG ENGAGEMENT (2004).
In the swift motions of a great storyteller we see a soldier being killed in the desert by a landmine, his devastated wife institutionalized, and son (Noé Boon) sent off to Catholic School before growing up to be a video store clerk (Dany Boon) who can lip-synch every line of THE BIG SLEEP (the dubbed into French version BTW). One night a stray bullet from a drive-by shootout ends up embedded in his skull.
After Boon gets out of the hospital he finds that he has lost his job and apartment so he has to turns to street performance for the pittance of passerby's. Luckily he's a skilled Chaplin-esque showman so he's about to float through a few months until he meets Jean-Pierre Marielle as an ex con vendor. Marielle introduces Boon to his "family" - a rag tag ensemble of scrap heap dwellers who all make magic out of scrap metal. The trash troop includes Jeunet regular Dominique Pinon who claims to hold the world record as a human cannonball, Julie Ferrier as a contortionist (and love interest for Boon) who can make room in the fridge for, well, herself, Yolande Moreau as the slightly dizzy den mother, and Omar Sy as a crafty ethnographer as well as an accomplished mimic.
Boon has found a home and shortly after happens upon the opulent headquarters of the arms dealers responsible for the death of his father and the bullet in his head. His impossibly elaborate revenge schemes are enacted by his new cohorts in trickery. André Dussolier and Nicolas Marie as the offending snooty villains of the piece are besotted and baffled at every turn with a smorgasbord of well timed and often hilarious obstacles aimed at the butt of their weapons manufacturing empires.
MICMACS is a bit overdone and cutesy at times but has so many ideas and so much going on in nearly every shot that one can let that slide. So much so that I can also let slide the cringe-worthy anti-war bent to the climax. Its ginormous sense of wonder is overwhelming - it's easily the most visually pleasing live action film this year. Jeunet's whimsical approach which was so exhilarating in AMELIE and his work with Marc Caro, is at once both modern and classical. The film is wrapped in the traditional packaging of many TCM staples (the opening elegant credits after the cold opening, the silent film steals, the playful piano plinking, etc.) yet the film utilizes CGI and gives us Jeunet embracing the age of YouTube.
I'd highly recommend seeing MICMACS on the big screen if you can. You really need a large canvas for such a pulsating painting like this.
More later...
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