Women Shoes,2010 New Fashion

women shoes,2010 new fashion

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US $37.11 - 46.39 / piece

Somya - Rue Montorgueil - Paris

Somya

I am just graduated in Master of Fashion & Marketing

I wear a jacket & Boy-friend jeans & belt by ZARA.
My T-Shirt is vintage. My shoes are from BERSHKA.
My bag is a BALENCIAGA. My silver jewels are from different places.
My shell-ring is from LE PRINTEMPS.
Perfume: "Coco Mademoiselle" by CHANEL.
Fashion is a personal expression. My look is Stylish-casual.
I love chocolate. I hate racism.
My message to the world: Enjoy every minute of your life as if it was the last one !

Jessica - Etienne Marcel - Paris

I study Art history and french Litterature

I wear a cape from AA.
Shoes by DOC MARTEN'S
Cap vintage from Kiliwatch Store.
Fashion is expression. My look is a choice for the day.
Perfume: Pink Sugar
I love my Cat. I hate Polluter people.
Message to the world: I don't want to answer to that question.

These Nike Shox R5 Shoes NEWEST

The Nike Shox R5 fashion Shoes NEWEST

Good Cop/Goofy Cop

COP OUT (Dir. Kevin Smith, 2010)

"It's a homage." So says goofy rubber faced plainclothes cop Tracy Morgan of his unorthodox interrogation methods to his partner of 9 years, a stonewalling yet smirking Bruce Willis. These methods are going to be familiar to anyone who's ever watched 30 Rock - Morgan does his patented crazy shtick.

As Willis watches through a one way mirror, Morgan freaks out their suspect by yielding a gun and yelling movie quotes like "they call me Mister Tibbs," and "these aren't the droids you're looking for" even going for "Yippee-ki-yay, motherfucker!"

Willis, in his definitively detached manner, says: "I never saw that movie."

If that sounds funny to you, ignore the rest of this review and go see this movie - more such supposedly uproarious self-aware referencing awaits.

Cool, now that those people are gone I can tell the rest of you that this is one painfully unfunny film. Though it wasn't written by Kevin Smith (the screenplay is by Robb and Mark Cullen) it feels like it was in the worst way - at Smith's most hammiest and hackiest. It strains with every cut to elicit laughs, but cringes are what result from this tired and truly tiresome material.

What there is of a premise involves Mexican gangsters headed by Guillermo Diaz, Seann William Scott as an annoying thief, and a stolen baseball card worth 80 thousand dollars. The card belonged to Willis, who was hoping to use it to pay for his daughter's (Michelle Trachtenberg) dream wedding. Otherwise Smith regular Jason Lee as Willis' wife's smarmy new husband will pay for it and humiliate him. Ho hum.

Morgan meanwhile deals with his wife's (Rashida Jones) possible infidelity with a neighbor by placing a nanny cam in a teddy bear in their bedroom. So both cops drive around Brooklyn from one poorly constructed plot point to another bitching about these hardships while barely creating an audible chuckle from the audience.

One of the only inspired elements present is the soundtrack. It was a savvy move to employ famed electronic composer Harold Faltermeyer to do the score. His "Axel F"-ish waves of synthesizer and jaunty rhythms work better than anything else in the film to capture the genre aesthetic. A new Patti LaBelle song ("Soul Brothers") accompanying the end credits also hammers home the 80's mindset.

You're better off sticking with watching Morgan on 30 Rock from which he even does some of the same lines ("you're sweet like bear meat") and renting HOT FUZZ if you haven't seen it. Now there's a sharp satire of the buddy cop action movies.

COP OUT is a lot like Morgan's misunderstanding (and mis-pronouncing) the word "homage" - it's not a send up or anything close to a fresh take on the formula, it's just formula.

More later...

Air Max Fashion Shoes 2010 NEW

New fashion shoes 210

Serious Series Addiction Part 2: Pedaling Through Lost

Last month I wrote about my New Year's resolutions of getting more exercise and watching all 5 seasons of The Wire. In addition to finishing that excellent show that absolutely earns its status as one of the best television series ever, I pedaled on my exercise bike to The Prisoner (the 60's one) and continued the long haul that is Lost.


We got a Roku - a digital streaming device that hooks up to our TV to broadcast Netflix Instant titles - for a wedding present last year and I've found that it's ideal for viewing full seasons of shows like Lost. Otherwise dealing with getting the many discs in the mail would be a hassle and I might've given up on the show during some of its lame story threads.

The exercise bike helped to get through the convolutions and highly implausible patches by my pedaling harder as if I could speed up the show when it got too stupid.

Seasons 3, 4, and 5 I quite enjoyed after the ups and downs of the first 2 seasons. A time loop episode involving the character Desmond (Henry Ian Cusick) was a lot of fun and the Dharma Initiative in the 70's storyline had many merits as well.

I got through all 5 seasons a few episodes into the current season 6. I had the shows recorded on our DVR but somehow the premiere episode was recorded over. Luckily it's available on Hulu (doncha love how many resources we have these days?) so I was able to watch it on my computer in my office. I really missed being able to pedal through it though. I thankfully watched the remaining ones back on the bike.

Now that I'm caught up and can watch the final season in real time I can get back to seeing and writing about movies, but since this has been a down period for film (as it always is this time of year) I'm already looking for a new show to pedal through. Any suggestions?

More later...

Design chosen

I've been working on the project for a while, and today the design I'm going to make is chosen.

It's the one with the roses all over the front. I'm excited! Can't wait to see it in reality.

Touta - Le Marais - Paris

Touta - Painter

Coat/Manteau: Jean-Charles de CASTELBAJAC
Shoes/Chaussures: DOC MARTEN's
all the rest from Flea-Market of Montreuil
Jeans: Selfcustomised
Perfume/Parfum: "L'instant" de GUERLAIN
Last Book: "Habillé pour l'hiver" by David Sedaris
Last CD: "Bang Bang" by PARABELLUM
For me Fashion is all & Nothing ...
My look is colofull

Fashion Shoes Gallery

The fashion shoes gallery

Adeline - Le Marais - Paris

Adeline - Student in English

Skirt: MAJE (oversized)
Shoes: Doc Marten's
Scarf: H&M
Bag: Basic
Perfume "Jeanne" de LANVIN
In Fashion I like to have my own style
My look is little 90's Grunge
Last Book: "La princesse des glaces" by Camilla Läckberg
Last Music: "Heartless" by Kanye West
I like to eat
I hate my english studies

KL - Rue Cambon - Paris

Igor - Rue Cambon - Paris

Igor
Stylist-Performer

These Elegant Women's High Heels Shoes fashion 2010

These elegant Women's high heels shoes fashion collection 2010

Flora - Grand Palais - Paris

Flora 18 - Student
Mod Art School - Paris

I wear a jacket by CAMAÏEU.
Jeans, Shoes and Bag by ZARA.
For me, Fashion is passion and inspiration ...

Boots - Les Tuileries - Paris

The Classic Fshion High Heels Shoes Collection Photos Gallery

The classic fashion high heels shoes collection photos gallery 2010

SHUTTER ISLAND: The Film Babble Blog Review

SHUTTER ISLAND
(Dir. Martin Scorsese, 2010)

"You act like insanity is catching", federal Marshall Teddy Daniels (Leonardo DiCaprio) quips to the Deputy Warden (John Carroll Lynch) while being shown the grounds of Shutter Island, the contained electronically secure mental hospital for the criminally insane. It's a welcome one-liner as the introductory build-up to DiCaprio and his new partner Mark Ruffalo's entry is one of the most overwrought openers in Martin Scorsese's career. The score pounds in an over the top progression of fearful crescendos as the men enter the complex.

Once the uber-melodramatic music eases off we are led inside to meet and greet Dr. Cawley (the always ominous Ben Kingsley) and the premise: a female patient has gone missing and the facility is on lock-down. Kingsley cryptically explains: "We don't know how she got out of her room. It's as if she evaporated, straight through the walls."

With a stern look that keeps his worry brow constantly a-worryin', DiCaprio, still using his Boston accent from THE DEPARTED, has another agenda. 2 years ago his wife (Michelle Williams) died in a house fire and he believes the pyro-culprit is a patient hidden somewhere at the hospital. A World War II vet (the year is 1954), DiCaprio is also full of conspiracy theories about secret experiments and mind torture going down at the hospital - the presence of a German doctor played by Max von Sydow particularly sets him off - as hallucinatory visions of his wife and the horrors he experienced at war haunt him around the clock.

Based on Dennis Lahane's bestselling 2003 novel, SHUTTER ISLAND has a supremely effective first half. The second half falters because I believe many folks will see the end coming from miles away - I actually had an inkling of the conclusion when seeing the trailer months ago. The reveal is wrapped in exposition and once DiCaprio and the audience figures it all out, the film lingers too long.

However this doesn't completely ruin the movie. The dream/flashback/whatever sequences are beautifully shot recalling David Lynch's surreal palette. DiCaprio's visions always have something falling and floating in the air around him. File papers, snow, and ashes fill the screen along with DiCaprio's angst.

It's not the best film that DiCaprio and Scorsese have made together in their decade long collaboration (that would be THE DEPARTED), but it has a lot of strong searing imagery going for it, even if the narrative isn't as layered as it would like to be.

Acting-wise, it's Leo's show. Despite the solid supporting cast (including Patricia Clarkson, Jackie Earle Hayley, and Ted Levine), Dicaprio carries the movie spending considerable chunks of the film alone with his demons. By this point, his 4th film under Scorsese's direction, he's not just an actor going through the motions; he's an embedded yet impassioned piece of the scenery. By comparison Ruffalo comes off like he's playing a gumshoe in a Saturday Night Live sketch.

So it's half a great movie - half is an absorbingly creepy character study, half a formula thriller frightening close to well trodden M. Night Shyamalan territory. But half a great Scorsese movie is still a vital movie-going experience, you understand?

When speaking of Scorsese in an interview a few years ago, Quentin Tarantino said: "I'm in my church, praying to my god and he's in his church, praying to his. There was a time when we were in the same church - I miss that. I don't want to do that church." In one of SHUTTER ISLAND's most powerful shots, Scorsese mounts a DiCaprio Dachau death camp recollection that blows everything in INGLORIOUS BASTERDS away. Sorry Quentin, but Marty's is the church I want to attend.

More later...

Jersey done!

Finally I have finished my jersey. It was not difficult to do. However, for some reasons I got the neck cuff wrong. I unpicked it, did it again, got it wrong again. Unpicked again, did it again, finally got it right! My mom is an architect but she does sew as well. She told me so many times that sewing means techniques and being patient. I nearly lost mine when I got it wrong the second time. But I did it. I'm proud of myself.

Bridal Shoes a Costly

The bridal shoes are expensive, and funny and good for women with small feet

Thoughtful Fashion Chanel Girl - Paris

Alexandra Golovanoff - Rue Cambon - Paris

Alexandra Golovanoff est journaliste sur la chaîne Paris Première avec La Mode la Mode la Mode ...

All Black - Les Beaux Arts - Paris

Fashion Dog - Avenue Matignon - Paris

Max the Fashion Dog !

Bedt Bridal Shoes Collection

The best bridal shoes for women

Taking On The RED RIDING Trilogy

This set of 3 feature length films based on David Pearce's semi-true crime novel series "Red Riding Quartet" is currently playing in limited release theatrically and is available on IFC Films On Demand.

RED RIDING: 1974
(Dir. Juliam Jarrold, 2009)

This first "episode" starts off with an air of a British ZODIAC, but a darker prism of power is revealed beyond the smoky newsrooms and seedy cop dives as the film reaches its brutally unsettling conclusion. In "The Year Of Our Lord" 1974, wet-behind-the-ears yet arrogant Yorkshire journalist Eddie Dunford (Andrew Garfield) sums up the scene as he arrives at a press conference: "A little girl goes missing. The pack salivates. If it bleeds, it leads, right?" When the girl in question is found murdered Dunford makes the connection to similar crimes involving children committed in the same area in the years before.

Like a classic film noir caper, there are many competing plot-lines for our intrepid reporter. A fellow scribe (Anthony Flanagan) has files full of proof of police corruption, the land where the girls were found is owned by a menacing local mogul (Sean Bean) who has plans to build a major shopping complex there if he can get rid of squatting gypsies, and, the icing on the cake, Dunford has just begun an affair with the mother of the most recent missing girl (Rebecca Hall).

The grim wasteland of the English countryside in the mid 70's is the perfect backdrop for this study - not of serial killings, but of the twisted knots in the fabric of society that naive newbies like Garfield's Dunford get tangled in with little hope of struggling free. Despite getting roughed up by thug cops on the take, Dunford routinely mocks his elders, but the suave cunning Bean posits that he and the rookie reporter are a lot alike: "We like to fuck and make a buck and we're not choosy how."

Although it doesn't quite earn its TAXI DRIVER-ish climax, RED RIDING: 1974 is a compelling piece of cinema with a minimum of artsy touches and depth to its grit. Despite director Jarrold employing few gratuitous period flourishes it could be mistaken for an actual 70's era thriller - one that's as concerned with the darkness itself as much as what lurks in it.

RED RIDING: 1980
(Dir. James Marsh, 2009)

Documentary film maker Marsh (MAN ON WIRE) helms this second installment which centers on Paddy Considine as Investigator Peter Hunter being brought in on the case of the Yorkshire Ripper in, again, as the title ominously tells us "The Year of Our Lord" 1980. Hunter believes that one of the murders, the girl from the first film, wasn't committed by the Ripper. It muddies the waters that one of his team (Maxine Peak) is a former colleague with whom he once had an affair. It also impedes the investigation that seemingly every policeman on the force opposes Hunter for reasons that become shockingly clear in the second half.

RED RIDING 1980 takes its time getting going but when it does it becomes a Hell of a potboiler and, perhaps, the strongest of the trilogy. Considine anchors the film admirably, convincingly descending from confident determination to a mode of desperate obsession. The film itself is sturdier than its predecessor especially as its pace tightens with Marsh displaying a palpable mastery of tension.

RED RIDING: 1983
(Dir. Anand Tucker, 2009)

"This is the North - where we do what we want!" This phrase is repeated throughout these films as both a declaration and a warning to outsiders, but its full impact is not really felt until this concluding chapter - or maybe that's just the power of repetition. While the first one was seen through the eyes of a journalist and the second the eyes of a police detective, the third has 2 protagonists - a public solicitor named John Piggott (Mark Addy) and returning character Detective Superintendent Maurice Jobson (David Morrissey). Each is on the opposite end of the case making their way into the murky middle.

The loose ends of the first 2 films are tied up competently here but there's unnecessary usage of stylistic abstraction present. The sex scenes in the series before had a perfunctory feel to them but here they're completely stitched in with no passion present. Only the spare moments of violence have visceral energy and those don't come off as effectively as in the previous chapters. Though Morrissey effectively personifies repressed stodginess, the 2 leads aren't strong enough to guide us through the subdued action which drags down the pace. It's certainly possible that these 3 films could've been much better if tightened into a single epic movie, but maybe we'll see how that well that works out if Ridley Scott takes on an Americanized remake (yes, I know he's British).

All 3 RED RIDING films are worthwhile but the first 2 are the essential ones - the third provides resolution. Oddly, only the first one has English subtitles. Since this helps a lot with the heavy accents, it's a pity that the others don't follow suit. Yet even with the matter of some impenetrable dialogue and though the films' total running time of over 5 hours makes taking in the whole trilogy into a bit of a slog - it's a mostly satisfying slog.

More later...

Sape Ada Baju2 Ni???

Baju2 kat bawah ni xde la rare @ mahal mana pon...

Cuma aku peminat cerita2 lama ni...

So kalau bole aku teringin nak simpan baju Filem yang aku minat...

Sape2 yang ada simpan baju2 vintage kat bawah ni roger la aku...

Baju baru aku xnak...nak yang vintage jer...

Kalau dapat yang Iron On, Condition A, Saiz S@M, Copyright tahun lama, lagi bagus...

At least bole jugak aku pakai, daripada saiz L...

Kalau ada baju filem lain pon bole gak...

Harga nanti kiter citer...

K thanx kawan2...

Don Corleone - Godfather Movie (Copyright 70s @ 80s)

Tony Montana - Scarface Movie (Copyright 80s)

Mickey Mouse Pegang Pistol (70s shirt)

Iron On Mr.T - A Team (Copyright 80s)

David Hasselhoff - Knight Rider (Copyright 80s)

Sylvester Stalone - Rambo @ Rocky (Copyright 80s)

Superman Iron On (Copyright 70s @ 80s)