juicy couture
toywatch
tiffany & co.
bebe
bebe (great option for perfect new year's dress!)
chanel
steve madden
yazmo.com
Dir. Wes Anderson, 2009)
The highly detailed microcosms that Wes Anderson crafts (think the theatrical productions of Max Fischer in RUSHMORE, the family townhouse in THE ROYAL TENENBAUMS, the cross section of Steve Zissou’s research submarine “The Belafonte” in THE LIFE AQUATIC, et al) fit perfectly into the storybook world of Roald Dahl in this film that more than does its title justice. The stop motion technique may at first glance strike one as primitive in these days of CGI saturation but the results aren't disjointed they're jaunty and full of life.
A slick, quick talking George Clooney voices Mr. Fox, a chicken thief turned newspaper columnist, who secretly returns to a life of crime defying a promise he made to his wife (Meryl Streep). Mr. Fox targets farmers Boggis, Bunce, and Bean: “One short, one fat, one lean. These horrible crooks, so different in looks, were nonetheless equally mean” as Dahl described and the film quotes in its opening. Mr. Fox’s son, voiced by Anderson regular Jason Schwartzman, is struggling to be noticed at school when he finds himself in the shadow of his visiting cousin Kristofferson (Eric Chase Anderson) but they bond when getting wind of Fox’s 3 phase heist plan.
With the aid of a wacky opossum named Kylie (Wally Wolodarsky), Mr. Fox pulls off his thieving schemes evoking the murderous wrath of the furious farmers who destroy his tree home forcing Fox and family to plough deep into the earth’s surface to escape. Fox’s tail gets shot off in the initial attack but it does little to discourage his plucky determination and cunning charm. The marvelous mix of quirky characters includes Willem Dafoe as a slimy security guard rat, Jarvis Cocker as a human hippy protest singer named Petey, with a few more
Anderson’s knack for setting the beats and tone with an eclectic blend of music from American standards to British rock ‘n roll pays off grandly here with composer Alexandre Desplat’s fine score filling in the rest. The Beach Boys “Heroes and Villains” (from “Smiley Smile” not Brian Wilson’s recent re-recording of “Smile”) works wonderfully in the punchy title sequence as does The Rolling Stones’ immortal “Street Fighting Man” in a chase scene set piece.
FANTASTIC MR. FOX is a clever, funny, and fiercely intelligent film. With endearing style and grace it successfully welds the warmth of an old-school children's book sensibility with the hip humor of new-school speaking rhythms. It's the least pretentious and possibly the most accessible of Anderson's ouvre but it's so much more than that; Wes's witty and wise Fox concoction is an instant classic.
More later...
It certainly isn’t a “meet cute” when 16 year old school girl Carey Mulligan is offered a ride home from Peter Sarsgaard in his snazzy sports car, but it isn’t exactly a “meet creep” either. Though Sarsgaard has a creepy reputation (his monologue on SNL a few years back was completely about how creepy he can be) here his character is a charming witty Englishman who has the ticket to an opulent new life for Mulligan, one filled with elegant culture and reams of romance. Or so it seems.
Set in a pre-Beatlemania Britain that Mulligan repeatedly calls “boring”, and based on a recently published memoir by Lynn Barber, the story is a simple coming of age one. Mulligan is impressed by Sarsgaard – a man able to charm her parents (a wonderfully befuddled Alfred Molina and a smirking Cara Seymour) into letting her go to a concert and dinner for their first date. He then reaches further with overnight trips to
Our pithy protagonist is a bit taken aback when she discovers that her new beau is an art thief and a slick wheeler and dealer involved in blockbusting (the practice of moving minorities into apartments to make old racist women vacate so the apartments can be purchased cheaply), but she’s still soft for Sarsgaard.
As the first solo screenplay written by Nick Hornby (“High Fidelity”, “About A Boy”, “Fever Pitch” and their respective film adaptations) one of the best modern novelists working today, AN EDUCATION is tightly written with sharp realistic dialogue and a touching tone. It is, perhaps is a bit too tightly written as the last act has some pat payoffs and all too tidy summations of character’s realizations. That doesn't stop it from being a sweet little gem of a movie with great chemistry between the actors and a very satisfying ending. I doubt it will win any awards but I bet it’ll make a bunch of “best of 2009” year end lists. Although, not sure yet if it’ll make mine.
More later...
Dan: Well, I’m really impressed with the place. It’s got the old fashioned theater look going in the nicest way.
Susan Shareshian: Thanks - we had UNC art students paint those murals on the panels.
D: Those look incredible and the whole place looks so clean.
SS: Yeah, it took a long time to get it like this... to get it free of dust.
D: So what are the
SS: They are all going to be original prints. We have “A Christmas Story”, “Polar Express”, “Miracle On
D: So I see the birthday room is that going to be where the office was before – have you had bookings for that yet?
SS: We do have bookings for not only birthdays but we have bookings for holiday parties – not just for kids but for adults. We also have some private screenings for people who have made films and want a place to show it. At this point, it’s been about a month, it couldn’t be better. People are very very excited about it. We’re thrilled. This is all very grass roots, it’s really just Paul and I and our friends and family that are helping us. The goal is on the site to have the calendar so you see what’s coming, also to do advance purchase for tickets.
D: In the theaters how much work has been done?
SS: They are all being re-carpeted too. The chairs are the same, the carpet’s changing, the curtains are new, the moldings are new, and that’s about it. So far. And then in the red theater, the big theater…Paul wants to name them but he can’t come up with good names…
D: So you’ll show the older films in the small theater?
SS: Probably. It depends, “The Wizard Of Oz” we’re going to show in the big theater.
D: When did you decide to take on the theater and make a go of it? Was it right when you heard the theater was going to close?
SS: Yep, and then we had to be really thorough about understanding about how to run a successful theater and what that means. What the distribution companies want and how they work and all that stuff. One thing we’re going to do is we’re going to ask “what do you want to see?” I can tell you right now that everybody wants to see “Star Wars”, everybody wants to see “Back To The Future”, so when we show those it’s gonna be busy. Then if we pick some that are my favorites we probably won’t be as busy but that’s okay! We’re also going to do some other cool stuff like Wednesday afternoons we’re going to have foreign films for seniors. We’re going to work out deals with senior communities to have them bused here so they can be dropped off. Things like that.
D: Well I’ll definitely be here on opening day.
SS: Good! We’re going to do pre-sales starting on Monday. We’ll be here at the ticket window – I’m going to take the paper off the windows on Monday but leave the paper on the doors until Friday.
D: So you’ll be set up for credit cards?
SS: Yep. Mastercard, Visa, and debit but no American Express.
D: Will there be any differences with concessions?
SS: We're working something out with Sugarland across the street to have desserts and we've been also talking about bringing in a gelato machine. But other than that it will be pretty traditional movie theater candies.
D: The classics?
SS: Yep. The classics.
I was sorry to miss the sneak preview last night which I heard was a rousing success but, like I said, I'll be there this Friday for the Grand re-opening. It's great to see the theater in such great shape and here's hoping that Paul and Susan Shareshian's enthusiasm and drive will help the Varsity thrive for a long time.
More later...
1. Delta House (Based on NATIONAL LAMPOON’S ANIMAL HOUSE) (1979) As a mid season replacement that only ran 13 episodes, this actually had decent ratings but was brought down by battles with the network (ABC). Retaining several of the original cast members (John Vernon, James Widdoes, Stephen Furst, and Bruce McGill), Delta House had the impossible task of making gross out frat boy humor work in prime time with canned laughter. With Josh Mostel standing in for Bluto John Belushi (understandably too big and busy with SNL and The Blues Brothers at that time to do a sitcom) as his brother Jim 'Blotto' Blutarsky, the show was either too tame or too lame to catch on. Still it had its moments and it's worth looking up on YouTube if only to see a young Michelle Pfeiffer (credited as "The Bombshell") slutting it up on the Delta's crusty couch. Also worth noting: John Hughes wrote 5 episodes.
2. Fargo (1997) This is odd indeed, a pilot directed by Kathy Bates based on the Coen Brothers classic with Edie Falco (best known as Carmella Soprano) in the Marge Gunderson role made famous by Frances McDormand. A few minutes are below and it's funny to see Falco in the get-up and accent - comes off pretty SNL-ish really:
Despite that it's not a bad clip. By the way it's dated 2003 because it was aired that year as part of the now defunct Trio channel's "Brilliant But Canceled" series. The episode looks like it would be a nice bonus feature on a future DVD and Blu ray edition of FARGO. Which brings us to:
3. Black Bart (Based on BLAZING SADDLES) (1975) As an extra on the 30th Anniversary edition DVD of BLAZING SADDLES this is a fairly unfunny pilot yet still a likable curio. Featuring Louis Gossett Jr. and Steve Landesberg in the Clevon Little and Gene Wilder parts respectively and an obnoxious laugh track (see also #1 on this list) this acts as further proof that a raunchy R-rated movie can not be successfully sanitized into sitcom fodder.
4. Parenthood (1990-1991)
This was actually a decent Thirtysomething styled show with a solid cast including Ed Begley Jr, Jane Atkinson, David Arquette, Thora Birch, Leonardo DiCaprio (!), and the recently deceased Ken Ober. Zachary La Voy and Ivyann Schwan reprised their roles from the film and Ron Howard executive produced. The show was written by Joss Whedon who, of course, would have better luck with future endeavors. In the last year a second attempt to adapt the 1989 movie has materialized with Peter Krause, Lauren Graham, Craig T. Nelson, and Bonnie Bedalia. It's only appearing on this list as a footnote to the 1990 version as it hasn't aired yet.
5.
6. The Bad News Bears (1979-1980) This was one I watched as a kid. It was cute-crude rather than crude-cute like the movie (or movies - there were 2 sequels not to mention a 2005 remake) and Jack Warden actually was a good television replacement for Walter Matthau in the role of Morris Buttermaker. It lasted longer than most on this with 22 episodes but was cancelled just a few episodes into its second season. A pre-puberty Corey Feldman played one of the bratty Bears so there's that too. Again it was hard to find any video proof of this show but I did locate this promo for its premiere coupled with The White Shadow:
7. Ferris Bueller (Based on FERRIS BUELLER’S DAY OFF) (1990-1991) This one season NBC spin-off starring Charlie Schlatter is mainly remembered for being one of Jennifer Anniston's first roles (she played Ferris's sister Jeannie). That's fine because little else about it is very memorable except that FOX had a competing show with the almost the exact same premise: Parker Lewis Can't Lose. Parker Lewis brutally beat Bueller in the ratings and went on to last 3 seasons. Ouch.
8. The Player (1997) Very little information exists about this spin-off with Patrick Dempsey in the Griffin Mill role part that was played to perfection by Tim Robbins in the excellent 1992 film, but writer Michael Tolkin talks about it quite a bit in the commentary on the THE PLAYER DVD. Jennifer Grey and Jennifer Garner also starred. Definitely another one that would be neat to see surface someday.
9. Revenge of the Nerds (1991) As another lame pilot that wasn't picked up this only makes the list because of the appearance of the rowdy Robbie Rist as Booger (played by Curtis Armstrong in the film series). Rist, best known as Cousin Oliver on The Brady Bunch but should be recognized for tons of other notable work (Mary Tyler Moore, CHiPs, The Bionic Woman, What's Happening, etc.) plays up the weak material with gusto while everybody else fades into the background. Still, it's a pretty sucky show as you can well see:
10. Herbie, The Matchmaker (1981) I saw this one as well when I was a kid and really didn't like it - maybe I was getting too old for Herbie anyway but making the crafty Volkswagen racing car into cupid struck me as pretty stupid. Dean Jones, who was in 2 of the movies, reprised his role as Herbie's owner and, uh, I don't remember anything else. It only lasted 5 episodes so I doubt I'm alone. This clip featuring one of the worst theme songs in TV history doesn't bring anything flooding back either:
Okay! So, that just scratches the surface as there are many more failed attempts to cash in on a movie's success with an idiot box redux out there so let me know if you have any favorites. I purposely ignored animated adaptations (I just didn't want to write about Clerks) but, of course, will welcome all comments about them.
This post is dedicated to Ken Ober (1957-2009)
R.I.P.
More later...