BLOG SALE - MAKEUP (MAC, NYX, etc)

MY FIRST BLOG SALE!!

RULES!!!!!!!!!
-PAYPAL ONLY!
-Shipping: $3 First Class Mail with Delivery Confirmation
(International Shipping $5-$6)
-No Returns or Exchanges - Final Sale!!
-Not responsible for lost or damages through shipping, but I will package it with plenty bubble wrap, don't worry! :)
-First come first serve, will keep pending for 2 days
-Package will be sent out once payment is PAID not PENDING
-Email me on floooofblogsale@yahoo.com with your paypal email address and the items you're interested in!
-HAPPY SHOPPING <3


MAC SHADESTICKS - $12 each



Silverbleu - with box (SOLD)
Royal Hue - without box (SOLD)
Beige-ing - without box (SOLD)
sea Me - with box (SOLD)
Cakeshop - with box (SOLD)

MAC ZOOM LASH MACARA $10 (SOLD)

Zoom Black - with box, brand new!

MAC PREP+PRIME SKIN $15 less than 10 pumps (SOLD)



MAC MSF'S $20 each

Warmed - brand new in box! (SOLD)

Globral Glow - 5-10x no box (SOLD)

MAC MINERALIZED EYESHADOW DUO "HEAT/ELEMENT" $13


MAC HELLO KITTY QUADS $35 each


Too Dolly
Lucky Tom

MAC HELLO KITTY BEAUTY POWDER $25 each

Tahitian Sand - with box, brand new!

MAC HELLO KITTY LIPPIES $13.50 each

lipsticks - Fashion Mews 3x (SOLD)
Cute-ster 5x (SOLD)
lipglass - Fast Friends 3x (SOLD)

MAC Monogram Collection Lipglass "Distinguished" $14 (SOLD)


NYX SINGLE E/S $2.50 each (BOTH SOLD)

Yellow, Alaska

NYX JUMBO EYE PENCILS $3.50 each

Lavender (S0LD), Cottage Cheese, Horse Raddish, Slate (SOLD), Strawberry Milk (all used 1x)

NYX LIPSTICKS $2 each - (BOTH SOLD!)

Frosted Flakes, Frappucino - used 1x

VICTORIA'S SECRET VERY SEXY SPARKLING EYE LINER $3 each (ALL SOLD)

Sparkling White, Aqua Sequin, Lilac Flash (all used 1x)

VICTORIA'S SECRET VERY SEXY LIPGLOSSES $2 each (BOTH SOLD)

Toy (pink), Babe (nude) - (used 2x)

Stila Love Your Look Palette - Look 2 $13 (SOLD)


Urban Decay Deluxe Eyeshadow "Fishnet" $9 (SOLD)


RIMMEL FIX & PERFECT FOUNDATION PRIMER (brand new) $6 (SOLD)


SONIA KASHUK HIGHLIGHTER BRUSH washed 1x $8 (SOLD)


MAYBELLINE E/S QUAD "LUSCIOUS SORBET" brand new $2.50 (SOLD)


LOREAL HIP COLOR CREAM CRAYON "UNMISTAKABLE" 1x $4


Revlon lipgloss "Life's a Peach" $3 (PENDING)

Bjork's Volta Tour Live & A Few Other New Live Concert DVDs

Although this is primarily a film blog I like to review recent concert DVDs and musician bio-pics every so often. Here are some brief blurbs about some new favorites:

Björk's Voltaic: The Volta Tour Live in Paris

(Nonesuch, 2009)

I was told that this was a "a gorgeous cinematic interpretation of the tour" and it certainly is. With all the theatrical bombast we're come to expect from Björk, this beautifully shot concert film features a 10-piece female Icelandic brass section augmented by Chris Corsano of Sonic Youth on drums, Jonas Sen on keyboards and electronic composer Mark Bell from LFO providing computer sequencing. It's an energetic, at times fiery ensemble as on highlights such as "Army Of Me" and "The Pleasure Is All Mine". A showstopping "State Of Emergency" oddly doesn't appear in the track listing but that's my only quibble with this rousing and powerfully pleasing performance film.

Ashes Of American Flags: Wilco Live (Nonesuch, 2009)

As fans of the former Alt.country Chicogoan band Wilco well know, there have been many personnel line-up changes in the 15 years since their debut. The highly recommended documentary I AM TRYING TO BREAK YOUR HEART (Dir. Sam Jones, 2002) is essential for some background dealing with one extremely pivotal era in the band's existence but this DVD isn't about their past; it's a representation of where the band stands now. Judging from this, they stand strong indeed.

Filmed at various venues over the last tour from Tulsa to Washington DC, Jeff Tweedy leads his crew through a set-list mainly made up of songs from their last few albums ("Monday" from the 1996 album "Being There" is the oldest selection). Fellow film makers Christoph Green and former Fugazi member Brendan Canty handle the camera and editing duties while Wilco brings the rock they've majestically fine tuned over the years. From their rapturous applause at the end of every song, the audience sounds very satisfied - viewers at home will surely be too.

The Hold Steady: A Positive Rage (Vagrant, 2009)

Not a concert film or a bio-doc (though there are elements of both), this is more a "bonus featurette" DVD that accompanies the Brooklyn band's first live CD. That said this 53 minute film is as alive and boisterous as their live shows as it actually acts a sort of mission statement. As front-man Craig Finn reflects right off the bat: "There's so many of these indie rock shows that you go to that are so joyless. I people to feel this joy and the celebratory nature of rock 'n roll when you go see the Hold Steady." From fan testimonials to scrappy live footage, "A Positive Rage" lives up to its title and gives newcomers an inside look at a band just starting to hit its stride. Because it only has a couple of full songs ("Chips Ahoy" and "Stuck Between Stations") coupled with the ramshackle approach of the interviews, it's not really one for repeated viewings, but as a companion to the live disc (which is pretty scrappy itself with its bootleg audience recording sound quality) it's worth one good concentrated viewing.

Okay! There's a few choice music DVDs for you. If you have any recent favorites - hit that comment box below and let me know.

More later...

TAKING WOODSTOCK: The Film Babble Blog Review

On Monday I announced a TAKING WOODSTOCK giveway (soundtracks, t-shirts, air-fresheners) - go here for information. I'll be taking answers until September 6th so get those entries in! Now onto the movie:

TAKING WOODSTOCK
(Dir. Ang Lee, 2009)

In his first starring role, with eyes that look like the sewn-on big brown button eyes from the movie CORALINE, comedian Demetri Martin finds himself smack dab in the middle of the wheeling and dealing behind one of the biggest rock festivals in history. For Martin as Elliot Tiber, a closeted artist who manages his parents' struggling motel, this all begins as a whim one day in the summer of 1969. Hearing that officials for the town of Wallkill banned the concert from its original location, he cold calls Woodstock Ventures armed with the only musical festival permit in the entire town of Bethel, New York. Almost immediately promoter Michael Lang (Jonathan Groff) and company arrive by helicopter to a nude welcoming via the avant garde theater troupe (led by Dan Fogler) that live in the barn behind the motel. Unfortunately, Martin's land, a swamp really, isn't suitable for concert grounds but there happens to be a farm with a lot of land just up the road owned by dairy farmer Max Yasgur (Eugene Levy in a nicely laid back performance) that just might do.

It's tempting to ditch the plot summary here and just say 'and the rest is history' but there's so many endearing details in this low key but extremely likable film to address. Using the same split screen techniques of the original concert documentary WOODSTOCK, Lee has the look and feel down completely. Some shots look so amazingly like footage from the actual event that I was amazed to find out that none was used. There are no actors playing the musicians because the action never gets that close to the stage - miles away Martin navigates through the huge crowd, taking part in the mud slides and indulging in psychedelics with the music blaring off in the the distance but he never gets up close and personal with the performers and perhaps that's the point.

There are some mis-strokes, such as a traumatized Vietnam vet played by Emile Hirsch and a smug Liev Scheiber as a gun totting transvestite providing security. These are unnecessary devices in an already overstuffed scenario. Some of Martin's exchanges with his parents (Immelda Stanton and Henry Goodman) are far from fleshed out as well but this doesn't kill the film's beautiful buzz. I could also overlook the historical errors. For example, Wavy Gravy is mentioned but at Woodstock he was still Hugh Romney, he wasn't dubbed Wavy Gravy till 2 weeks later at the Texas International Pop Festival. Also the real life Michael Lang disputes that Tiber introduced him to Yasgur to get the ball rolling but again I can let these things go and bet you can too.

Overall the humor ("Charging a dollar for water? Can you believe that?") and heart of this project are in the right place, with cynicism not being allowed entry. I've written before about whether or not Woodstock lives up to its legend, and I feel that Ang Lee's film here isn't interested in taking a stand. It's content with a simple story about a few days that changed a man's life (you could be forgiven in not knowing that Martin is dealing with his homosexuality - it sure isn't an element they're advertising in the trailers).

In my favorite sequence Martin gets a ride from a sympathetic motorcycle cop into what Scheiber calls "the center of the universe" (actually despite what I said above - Scheiber does have his moments). Martin then meets a hippy couple (Paul Dano and Kelli Garner) and takes LSD with them. Martin's already big pupils get bigger as he watches the colors from posters, crystals, and assorted paisley accoutrements swirl around the walls of their VW bus. It's a scene that could be so clichéd - the obligatory trippy scene - but Lee, here and in the rest of the film, sincerely just wants us to soak up the sights and sounds and be soothed by them. Dark clouds were on the horizon for the Woodstock generation but for one brief moment the light of possibility was blinding. Lee captures that dying light and gives us a film that gives off great vibes.

More later...

IN THE LOOP: The Film Babble Blog Review

IN THE LOOP (Dir. Armando Iannucci, 2009)

Picking up comparisons to DR. STRANGELOVE and geared aesthetically as an "anti-West Wing", Armando Iannucci's directorial debut posits people in power treading water in a sea of political spin. It all comes from a misspoken statement by the British Secretary of State for International Development played by Tom Hollander. Off the cuff, he says that a proposed war in the Middle East is "unforeseeable" on a radio talk show and that causes what one staffer calls "a catastrofuck".

Already strained relations between UK and US officials come to a boil. Hollander finds himself getting in deeper as obscenities fly at a ferocious rate from the Prime Minister's press secretary Peter Capaldi (reprising his role from Iannucci's TV series The Thick Of It), misdirections come from diplomat handlers (Chris Addison and Gina McKee), and then there are the astute observations of James Gandofini (The Sopranos) as a gruff general who when attempting to strategize finds himself musing: "At the end of a war you need some soldiers left, really, or else it looks like you've lost."

The large intertwined ensemble cast also includes Chris Addison (also from The Thick Of It), Steve Coogan, David Rasche, and an all grown up Anna Chlumsky (MY GIRL). With literally over a hundred great lines (most of them coming from the foul mouth of Capaldi) and a wickedly wry tone, IN THE LOOP has enough laughs for several movie comedies. It's a window into the tangled tortured world of policy makers and those who toil in the trenches beneath them. They're all caught in a massive web of manipulation woven from competing self-serving ambitions and it's all rooted in cold sad reality. Such pungent political satire doesn't come around often so this is definitely one to look out for.

More later...

Giveaway: TAKING WOODSTOCK Soundtrack + More

Having just recently re-watched and blogged about WOODSTOCK, I was happy to take in a screening of the new Ang Lee film TAKING WOODSTOCK starring Demetri Martin - opening this Friday and really liked it (a full review will be posted on Wednesday).


I have some soundtrack CDs + T-Shirts and air freshers (!) to give away so the best answers to this question will get one of them:

What was the best act at the original 1969 Woodstock and why?

Just email: boopbloop7@gmail.com

By the way - the soundtrack is way cool with original '69 festival tunes mixed with a new Richie Havens track and a few Danny Elfman score selections.

Get those answers in!

More later...

Quentin Tarantino's World War II: Electric Boogaloo

INGLOURIOUS BASTERDS (Dir. Quentin Tarantino, 2009)

Warning: This review is riddled with Spoilers!

"Once upon a time...in Nazi occupied France". So begins Quentin Tarantino's long awaited mock epic war movie in which slaughter and blood are upstaged by talky tension. This is expertly displayed in the first scene (or chapter as the title card calls it). An SS Colonel (Christoph Waltz) proud of his nickname "the Jew Hunter", questions a French farmer (Denis Menochet) who is suspected of hiding a missing Jewish family. The scene takes its time with their back and forth before the camera pans down to show us that the farmer is indeed harboring the family beneath his floor boards. The set up and powerful payoff of this chilling opening confirm that the pulse and tone of Tarantino's best work is intact and while subtlety was never a strength of his, he is learning to exercise some patience and restraint. However, patience and restraint both stand down for most of the rest of the film.

In the second "chapter" we meet Brad Pitt and his crew of "Basterds" - a team of Jewish American soldiers intent on killing as many Nazis as possible. As Pitt puts it in his unconvincing yet still appropriately comedic Southern accent: "We're not in the taking prisoners business, we're in the killing Nazi killing business, and business is boomin'!" Along the way a few big 3-D style block letter intros to characters like Sgt. Hugo Stiglitz (Til Schweiger) thrown in (with Samuel L. Jackson narration no less) prove that you can't completely take the 70's comic book cinema leanings out of Mr. Too Cool For Film School. The Basterd crew also includes Eli Roth, B.J. Novak, and Sam Levine (Freaks And Geeks) Once we fully get that our heroes are way into collecting scalps and branding Swastika's into survivor's heads it's on to the next chapter.

The only hiding member of the first scene to escape, Mélanie Laurent ends up owning a Paris theater under a different identity. To her dismay when changing the marquee she catches the eye of a soldier (Daniel Brühl) who played himself in a film made by Reich Minister of Propaganda Joseph Goebbels (Sylvester Groth). Despite voicing her disinterest, Brühl proceeds with his plan to premiere his film at her cinema with an Nazi audience topped off by Goebels and other German bigwigs like Hermann Göring, Martin Bormann, and the Furher himself, Adolf Hitler (a blustery red faced Martin Wuttke). Laurent with her projectionist boyfriend (Jacky Ido) plots to burn the theater down with all the Nazi's locked inside. Meanwhile the Basterds have a plan of their own for the same event.

Even with his preposterous accent, Pitt's performance is one of his finest. So much better as a Basterd than he was as Benjamin Button, mainly because here he actually has a character to play. His salt of the earth manner peppered with no holds barred brutality is a joy to behold. As the slick but slimy opportunist Colonel, Christoph Waltz has the most dialogue and he makes the most of every word of it, he's definitely worthy of a nomination. The action primarily revolves around these 2 men with Laurent's well timed turn rounding it out. There are few lulls as the story strands come together and the pace pleasingly pulsates quickly towards the end where an intensely satisfying conclusion (which I won't spoil) awaits.

It's too early to tell where INGLOURIOUS BASTERDS falls in Tarantino's canon but it's sturdier and significantly more solid than his last few films (the KILL BILL flicks and DEATH PROOF). If you go looking for historical accuracy or anything resembling reality you'll definitely come up short, but if you go expecting Tarantino's patented brand of film geek gusto infusing an alternate history graphic novel of a movie, you should do just fine.

More later...

Frank Zappa's 200 MOTELS May Be The Most WTF Movie Experience Ever

To the elation of film buffs and 70's art rock fans all over, MGM has just released a new 35 MM print of Frank Zappa's 1971 freak-fest flick 200 MOTELS. The film played earlier tonight as part of the "Cool Classics @ The Colony" series at the Colony Theater in Raleigh and I was very anxious to see it for the first time. When I was much younger I went through a bit of a Zappa phase, yet while I collected dozens of his albums somehow I never saw 200 MOTELS. I had wondered what it was exactly. Well, after seeing it tonight I see that it's not a concert film, though there are long sequences that make it seem otherwise, it's not a tour documentary, and it sure isn't any kind of musical with a linear narrative. Actually I'm still trying to figure out what the Hell it is.

Despite that it was "written" (that's highly debatable), and directed by Zappa with wall-to-wall music of his composing, it's really more his band's - The Mothers Of Invention's movie than his ultimately. The faces and voices of Martin Volman (Flo), Eddie (Howard Kaylan) and Jeff (Martin Lickert) dominate the screen with random pop-ins from ex-Beatle Ringo Starr as Larry the Dwarf who is oddly outfitted as Zappa. There's also Keith Moon (infamous drummer from The Who) as a nun, Theodore Bikel as the Devil, and famous Hollywood groupies Pamela Miller, Miss Lucy Offerall and Miss Janet Neville as, well, groupies.

To complain that this movie is a mess misses the mark because it's a mess by design. the comedic musical numbers like "Mystery Roach" and the Indian of the group (that's how hi introduces himself) Jimmy Carl Black's over-the-top redneck vocal on "Lonesome Cowboy Burt" are surrounded by the sketchiest of sketches involving the oppresive "Centeville community" and a lengthy discourse on the "Penis Dimension". Then there's a cartoon called "Dental Hygiene Movie" that may stand as one of the most amusing bits in the heavy mist of this wild offkilter "happening" disguised as a movie. Or is it a movie disguised as a "happening"? I dunno.

Noted as the first feature-length movie to be shot on video tape and later transferred to 35mm Technicolor film, 200 MOTELS is on surface a trippy experience. It sinks in though pretty early on that Zappa didn't not partake in, in fact distained, the psychedelic drugs of the era. The footage is screwed around with considerably - sped up slowed down with certain actions repeated over and over, but not in a way that would soothe hippies' mindsets whatever their level of chemical enhancement.

In his 3 star review (from the original release), Roger Ebert said that it was "not the kind of movie you have to see more than once. It is the kind of movie you can barely see once." I have to agree with that. Though I know that this has appeared to be a less than stellar review, 200 MOTELS is still somehow an experience I recommend. It's like some half remembered dream in which Monty Python silliness is filtered through Sid and Marty Kroft imagery with what sounds like Spike Jones discovering funk blaring overhead. If a circulating print comes to your area - check it out. Sure, it's dated and weird as all get out, but it's still an extremely worthwhile demented diversion.

More later...

It Was 40 Years Ago Today: Re-watching Woodstock

"It’s really amazing. It looks like some kind of Biblical, epochal unbelievable scene!"
- Jerry Garcia (The Grateful Dead)

"A bunch of stupid slobs in the mud."
- Grace Slick (The Jefferson Airplane)

Yeah, Woodstock divides folks - even folks supposedly on the same side. Whatever your feelings on the famous Woodstock Festival, currently celebrating its 40th anniversary, it’s impossible to deny its lasting impact and cultural importance. For a number of reasons * I felt like re-watching the movie that was made of the event that fateful weekend. I've seen it before a number of times -usually on anniversaries it seems. I remember a party in '99 with it on in the background via VH1 and I remember seeing it constantly on the monitor of the video store I was working at in '89.

* One of which being the upcoming release of Ang Lee's TAKING WOODSTOCK featuring comedian Demetri Martin as Elliot Tiber who came in at the last minute to offer his property for the event after it was banned from its original location.

I just borrowed my brother's DVD of it from the late 90's - as Martin Scorsese, who was assistant editor on the project, said the film "has shape-shifted quite a bit over the years" so I felt I was fine with the 1994 "Director's Cut" and didn't need to shell out for the new lavish 40th Anniversary Ultimate Collector's Edition for an anniversary re-viewing you know? This was an old school DVD - it didn't even have a proper menu and the video quality was pretty VHS but that's apt because that's how I saw it originally so screw digital remasterings! For now anyway.

The film makers had some fun with the standard ratings disclaimer at the beginning of the film - the "R" starts to ignite at the sound of Jimi Hendrix's "Star Spangled Banner" guitar solo.

It extends to the word "Restricted" which quickly goes up in flames and the implication is clear - this movie is fiery cataclysmic stuff, watch out. That notion though disappears rapidly once you see laid back shots of farm fields and hippie folk arriving to take them over. Workers building the stage and setting up sound equipment while people arrive - some in colorfully painted vehicles, some on foot climbing through holes in the fence.

This all goes on a bit too long as it's a while before we see an actual live performer. We hear studio versions of Crosby, Stills & Nash and Canned Heat tunes with a split screen image showing simultaneously Michael Lang talking to a reporter from ABC News while the second half of the screen shows the unwashed masses making their way through paths of parked cars and campers.

24 minutes into it, Richie Havens is the first performer. He does his hard acoustic guitar strumming thing on a few songs, stopping in between to tell the audience that the next day the whole world will read about how groovy they were. Out of sight, man! From there we see Wavy Gravy (still going by the name Hugh Romney **) mulling about hamming it up and then hear his announcement that the acid circulating is not poison – it’s just been poorly manufactured.

** For more on this see Michele Esrick's excellent documentary about Wavy Gravy coming soon to a theater near you: SAINT MISBEHAVIN'.

This is where I get weary of reporting on everything in this already well reported movie and will just hit the highlights (or lowlights) as I saw them:

The Who’s bombastically beautiful “See Me, Feel Me” and “Summertime Blues” performance shakes things up after Joan Baez's stoic stance of an act.

The audience is blown away by Joe Cocker’s ferocious “With A Little Help From My Friends” Beatles cover (wonderfully parodied by John Belushi on SNL Oct. 25th, 1975).

Jeez, there's way too much drum circle footage combined with people running and sliding in the mud after the infamous downpour that the crowds tried to stop with a chant: “No rain -no rain!” Doubt this bit was what won the film a “Best Documentary” Oscar.

The most treacly bit: John Sebastian solo acoustic singing his song “Younger Generation” concluding by saying “That kid’s gonna be far out.”

Jimi Hendrix's set is definitely the highlight of the entire event - despite that he was the last performer and it was early Monday morning and most of the massive crowd had left.

Hendrix's mind bending take on "The Star Spangled Banner" is the bit that alone singed the "R" rating above. The set is available separately and for good reason.

When all is said and done in my book (or on my blog) there's just this music on record that lasts from this colassally overwrought event: The Who, Sly and The Family Stone, Joe Cocker, Janis Joplin, and Jimi Hendrix. The rest is pretty iffy. For example: none of the Grateful Dead's set has ever been released because it sucked - as band members have repeatedly alleged. And who invited Sha Na Na?

As a cultural historical document WOODSTOCK is essential, however as a fun rock concert movie it is bogged down with an unnecessary hyper significance - I found myself siding with Grace Slick's quote above most of the time watching it. It's an event ripe for major cherry picking - in this era of ripping a decent mix could be made of this but I may suggest alternatives like FESTIVAL EXPRESS and WATTSTAX for more consistent goodies. Just sayin'.

More later...